El Patio Teatro invites you to discover our roots through grandmothers and grandfathers in «Conservando memoria»



El Patio Teatro invites you to discover our roots through grandmothers and grandfathers in «Conservando memoria»



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El Patio Teatro invites you to discover our roots through grandmothers and grandfathers in «Conservando memoria»


The entrance El Patio Teatro invites you to discover our roots through grandmothers and grandfathers in «Conservando memoria» was published first in National Dramatic Center.



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The National Dramatic Center launches the program of transversal activities for the 2020-2021 season


The entrance The National Dramatic Center launches the program of transversal activities for the 2020-2021 season was published first in National Dramatic Center.



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Test


The National Dramatic Center has launched this month Dramatic Action, our program of transversal activities aimed at both training and exchange of thought and public participation.



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The National Dramatic Center announces the authors selected for its Dramatic Residences


Jorge Aznar Canet, Esther F. Carrodeguas, Cristina Rojas and Joan Yago will participate as resident authors in the Drama this season

The call, aimed at playwrights and playwrights with at least two published works, received more than 420 nominations

Madrid, December 4. He National # Dramatic Center has released the names of the four playwrights and playwrights selected from among the more than 420 nominations that were submitted to the first edition of its program of Dramatic Residences.

The entrance The National Dramatic Center announces the authors selected for its Dramatic Residences was published first in National Dramatic Center.



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The National Dramatic Center premieres "Macbeth"


The entrance The National Dramatic Center premieres "Macbeth" was published first in National Dramatic Center.



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The National Dramatic Center premieres "Macbeth"



The National Dramatic Center premieres "Macbeth"



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The National Dramatic Center premieres «Querido capricho», a project by Tomás Cabané and Tomás Pozzi


This Friday, November 20, the Princess Room of the María Guerrero Theater hosts the absolute premiere of this piece that reveals human emotion and vulnerability beyond ages, genders and eras

Tomas Cabané is the author and director of the text, in which Tomás Pozzi has collaborated, who plays the role of Amanda in this dramatic monologue

Dear whim speaks of waiting, fear of rejection or prejudice towards intergenerational love through the monologue of a mature woman who tires of waiting for the call of the young man with whom she has fallen in love

Dear whim It is the “most personal and intimate” project of all those who have approached together Thomas Cabané and Tomas Pozzi. The young director and playwright and the Argentine interpreter present this work that they have written in tandem and that, based on the monologue of a mature woman waiting for a call from her young lover who will never arrive, calls into question a whole series of stereotypes and taboos social.

The origin dates back to 2018, Cabané says, “when Pozzi expressed his desire to me to return to being a woman on stage”. Starting from feelings that we have all experienced at some time, such as the fear of rejection, of being left alone and waiting for that promise that never comes, “the need arose to begin to disrupt that idea of ​​romantic love that has been instilled in us since childhood, especially in the female universe ”, adds the director. Thus, using as a framework the intergenerational love between a young man and a mature woman, “something that still contains many taboos and prejudices”, the creative couple uses “Amanda's journey to deconstruct some of these myths, hit rock bottom, feel that anguish , revisit our personal ties and move forward ”, Cabané points out.

It is not the first time that Tomás Pozzi has played a female character, but as Cabané affirms, "we decided that this time it was going to be different, we did not want a costume, but to get to the essence of this woman." Amanda, the protagonist of Dear whim, "Believes in love as something idealized, the result of what they expect of her and the education she received together with her sister," says Pozzi, while highlighting the evolution of the character: "However, this confinement awakens her side more vindictive and her right to be alone. He begins to deny everything he has learned and to build a new path where love is no longer a problem, but a whim. Extract its most sentimental part and live it as something more liberating ”.

Dear whim it is narrated as a kind of confession, of confidence shared with the public, who, locked up with the character, is accompanying Amanda throughout her liberating journey. Tomás Cabané, who cites other ‘captive’ women in literature as references, such as Doña Rosita la soltera, Ella de Human voice or the mythical Penelope, paraphrasing Pozzi's own character in the play, who says: "Amanda is a cry in the real world, Amanda exists, I heard her in the messages from my mother's friends."

Co-produced by the Centro Dramático Nacional together with Check-In Producciones and Pedro Hermosilla Producciones, the play opens this Friday, November 20 in the Sala de la Princesa of the María Guerrero Theater, where it will run until December 13.

The entrance The National Dramatic Center premieres «Querido capricho», a project by Tomás Cabané and Tomás Pozzi was published first in National Dramatic Center.



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This Friday, November 20, the Princess Room of the María Guerrero Theater hosts the absolute premiere of this piece that reveals human emotion and vulnerability beyond ages, genders and eras

Tomas Cabané is the author and director of the text, in which Tomás Pozzi has collaborated, who plays the role of Amanda in this dramatic monologue

Dear whim speaks of waiting, fear of rejection or prejudice towards intergenerational love through the monologue of a mature woman who tires of waiting for the call of the young man with whom she has fallen in love

Dear whim It is the “most personal and intimate” project of all those who have tackled together Thomas Cabané Y Tomas Pozzi. The young director and playwright and the Argentine interpreter present this work that they have written in tandem and that, based on the monologue of a mature woman waiting for a call from her young lover who will never arrive, calls into question a whole series of stereotypes and taboos social.

The origin dates back to 2018, Cabané says, “when Pozzi expressed his desire to me to return to being a woman on stage”. Starting from feelings that we have all experienced at some time, such as the fear of rejection, of being left alone and waiting for that promise that never comes, “the need arose to begin to disrupt that idea of ​​romantic love that has been instilled in us since childhood, especially in the female universe ”, adds the director. Thus, using as a framework the intergenerational love between a young man and a mature woman, “something that still contains many taboos and prejudices”, the creative couple uses “Amanda's journey to deconstruct some of these myths, hit rock bottom, feel that anguish , revisit our personal ties and move forward ”, Cabané points out.

It is not the first time that Tomás Pozzi has played a female character, but as Cabané affirms, "we decided that this time it was going to be different, we did not want a costume, but to get to the essence of this woman." Amanda, the protagonist of Dear whim, “Believes in love as something idealized, the result of what they expect of her and the education she received together with her sister,” says Pozzi, while highlighting the evolution of the character: “However, this confinement awakens her side more vindictive and her right to be alone. He begins to deny everything he has apprehended and to build a new path where love is no longer a problem, but a whim. Extract its most sentimental part and live it as something more liberating ”.

Dear whim it is narrated as a kind of confession, of confidence shared with the public, who, locked up with the character, is accompanying Amanda throughout her liberating journey. Tomás Cabané, who cites other ‘captive’ women in literature as references, such as Doña Rosita la soltera, Ella de Human voice or the mythical Penelope, paraphrasing Pozzi's own character in the play, who says: "Amanda is a cry in the real world, Amanda exists, I heard her in the messages from my mother's friends."

Co-produced by the Centro Dramático Nacional together with Check-In Producciones and Pedro Hermosilla Producciones, the play opens this Friday, November 20 in the Sala de la Princesa of the María Guerrero Theater, where it will run until December 13.



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The Flu-or “Telar” was inaugurated, the winning installation of the ephemeral architecture competition for the Valle-Inclán Theater lobby


The winning project of the call launched last June by the # Dramático together with the COAM and the AAPEE already receives the public of the theater located in the Plaza de Lavapiés

The installation consists of a light and floating vault over the theater hall based on textiles and movable furniture that allows creating different spaces

The Flu-or architecture studio, based in A Coruña, is responsible for this winning proposal from among the more than 60 projects from different countries that were submitted to the competition

The spectators of the Valle-Inclán Theater are received by a floating vault installed in the hall that its architects, the Galician architecture studio Fluor, they have baptized with the name of "Loom". This is the winning project of the Ephemeral Architecture Contest convened last June by the Center #National Dramatic, in collaboration with the Madrid Official College of Architects (COAM) and the Association of Scenic Plastic Artists of Spain (AAPEE), and to which more than 60 proposals from various countries were submitted.

The objective of the call has been to generate a multifunctional space that, under guidelines of versatility, sustainability and avant-garde, allows hosting activities of a different nature, such as meetings with the public, press conferences, exhibition and consultation of books, etc .; in addition to making the theater a meeting place open to citizens.

The COAM highlights the high level of the applications received: “It was very interesting to analyze and compare the different ways of rethinking space through its material component. We wanted to thank the collaborators and manufacturers involved for their willingness to help carry out this call ”, he says. Álvaro Pardo Ballesteros, from the Materials Gallery of the Official College of Architects of Madrid.

"Telar" presents a cover composed of floating sheets made of textile material that plays with light and volume and movable furniture that allows the creation of different spaces. This installation, which "seeks to modify the lobby space, transforming its scale", according to Luis Santalla, partner of the winning architecture studio, part of "a resounding idea, a clear volume, made up of elements that recall the framework of the theater stage".

“The space in the lobby brings the theater closer to the square, turning the lobby into the new stage and the square into the new stalls. The desired reaction is to surprise visitors, both those who already knew the theater and those who enter for the first time ”, explains Santalla.

ORa light and robust installation at the same time

The Jury of the contest, made up of representatives of the National Institute of Performing Arts and Music (INAEM), the # Dramatic, the COAM, the AAPEE and the Paredes Pedrosa studio; He highlighted when issuing the ruling of the winning project "its poetic character and close to the scenographic language of the theater, as well as the ability to transform the perception of space through a light but resounding gesture."

"Its ability to create a surprising and welcoming scenic space stands out, through the shapes of the textiles that hang from the imaginary comb", according to the architects of the Valle-Inclán Theater, Angela Garcia de Paredes and Ignacio Garcia Pedrosa, members of the Jury, who affirm that the proposal fits very well into the lobby that they designed for this theater, inaugurated in 2006, and for whose design they received the 2007 Spanish Architecture Prize.

© COAM



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