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The Flu-or “Telar” was inaugurated, the winning installation of the ephemeral architecture competition for the Valle-Inclán Theater lobby

The Flu-or “Telar” was inaugurated, the winning installation of the ephemeral architecture competition for the Valle-Inclán Theater lobby


The winning project of the call launched last June by the # Dramático together with the COAM and the AAPEE already receives the public of the theater located in the Plaza de Lavapiés

The installation consists of a light and floating vault over the theater hall based on textiles and movable furniture that allows creating different spaces

The Flu-or architecture studio, based in A Coruña, is responsible for this winning proposal from among the more than 60 projects from different countries that were submitted to the competition

The spectators of the Valle-Inclán Theater are received by a floating vault installed in the hall that its architects, the Galician architecture studio Flu–or, they have baptized with the name of "Loom". This is the winning project of the Ephemeral Architecture Contest convened last June by the Center #National Dramatic, in collaboration with the Madrid Official College of Architects (COAM) and the Association of Scenic Plastic Artists of Spain (AAPEE), and to which more than 60 proposals from various countries were submitted.

The objective of the call has been to generate a multifunctional space that, under guidelines of versatility, sustainability and avant-garde, allows hosting activities of a different nature, such as meetings with the public, press conferences, exhibition and consultation of books, etc .; in addition to making the theater a meeting place open to citizens.

The COAM highlights the high level of the applications received: “It was very interesting to analyze and compare the different ways of rethinking space through its material component. We wanted to thank the collaborators and manufacturers involved for their willingness to help carry out this call ”, he says. Álvaro Pardo Ballesteros, from the Materials Gallery of the Official College of Architects of Madrid.

"Telar" presents a cover composed of floating sheets made of textile material that plays with light and volume and movable furniture that allows the creation of different spaces. This installation, which "seeks to modify the lobby space, transforming its scale", according to Luis Santalla, partner of the winning architecture studio, part of "a resounding idea, a clear volume, made up of elements that recall the framework of the theater stage".

“The space in the lobby brings the theater closer to the square, turning the lobby into the new stage and the square into the new stalls. The desired reaction is to surprise visitors, both those who already knew the theater and those who enter for the first time ”, explains Santalla.

ORa light and robust installation at the same time

The Jury of the contest, made up of representatives of the National Institute of Performing Arts and Music (INAEM), the # Dramatic, the COAM, the AAPEE and the Paredes Pedrosa studio; He highlighted when issuing the ruling of the winning project "its poetic character and close to the scenographic language of the theater, as well as the ability to transform the perception of space through a light but resounding gesture."

"Its ability to create a surprising and welcoming scenic space stands out, through the shapes of the textiles that hang from the imaginary comb", according to the architects of the Valle-Inclán Theater, Angela Garcia de Paredes and Ignacio Garcia Pedrosa, members of the Jury, who affirm that the proposal fits very well into the lobby that they designed for this theater, inaugurated in 2006, and for whose design they received the 2007 Spanish Architecture Prize.

© COAM



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Internship offer at the National Dramatic Center

Internship offer at the National Dramatic Center


One of the objectives of the new artistic direction to CENTRO # DRAMATICO NACIONAL it is sact as a bridge to introduce young creators and creators in the professional work environment of the performing arts.

In accordance with this declaration of intent, we will offer the educational community a Bag of places to carry out unpaid external internships at the Drama headquarters. This will allow the students to know in depth theatrical practice, thus complementing the theoretical knowledge about their subject of study.

Under no circumstances will it derive from its performance the obligations of an employment relationship, nor may its content give rise, in any case, to the replacement of the employment provision of jobs.

The legal coverage of these practices is included in a collaboration agreement that the National Institute of Performing Arts and Music (INAEM) signs with educational entities.

The National Dramatic Center It will only process the requests made through the educational center of the person interested in the internship program, not individually by the students. At the same time, exclusively students assigned to any study program of the centers that have an agreement signed with Inaem, which are currently the following:

  • Show Technology Center
  • School of Cinematography and Audiovisuals of the Community of Madrid (ECAM)
  • Royal Higher School of Dramatic Art (RESAD)
  • Autonomous University of Madrid
  • Carlos III University
  • Complutense University of Madrid
  • University of Salamanca
  • San Pablo CEU University
  • International University of La Rioja

The term To request the places offered this course is from Monday, November 16 to Wednesday, December 16, 2020, both included.

Below is a list of the sections in which educational practices can be carried out (in alphabetical order) and the number of places offered as well as the estimated duration of the practices per section:

2 Dramatic Action: The student will participate in the preparation and coordination of the program of transversal activities aimed at the public and professionals of the performing arts (meetings, colloquia, master classes, workshops, …) that the Drama develops in parallel to the production and exhibition of functions .

Duration of 2 to 3 months.

5 Direction and 5 Dramaturgy: the student will have the opportunity to attend a complete rehearsal process for a theatrical production, sharing with the artistic and technical team the necessary tasks until the day of the premiere.

Duration subject to testing schedule.

2 Cultural Management and Production: the / the student will be able to know the reality of the production and management of a theatrical production, from the pre-production, the rehearsals and the exhibition of functions to the preparation of the tour, if applicable.

Duration subject to testing schedule.

5 Interpretation: The student will have the opportunity to attend a full rehearsal process for a theatrical production, paying special attention to the activity carried out by the cast of the same.

Duration subject to testing schedule.

1 Marketing and audience management: the / the student will be able to deepen in the creation and loyalty of audiences through elements as fundamental as the sale of tickets, season tickets and communication.

Duration of 2 to 3 months.

2 Press and Communication: The student will participate in the promotion and dissemination work of the CDN premieres and activities in the media.

Duration of 2 to 3 months.

2 Technical section: The student will be integrated into the work team that prepares a show in the technical aspects specified below. You will learn about the preparations for the rehearsals and the attendance to the function during the exhibition period. Sections: Audiovisual, Lighting, Make-up, Machinery, Technical office, Hairdresser, Office, Tailoring and Props.

Duration of 2 to 3 months.

* Both the calendar and the hours of the practices will be subject to the calendar and schedules of the activities programmed by the National Dramatic Center.

** You can direct your inquiries to the following email: actpedagogica.cdn@inaem.cultura.gob.es



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Internship offer at the Centro # Dramático Nacional

Internship offer at the Centro # Dramático Nacional


One of the objectives of the new artistic direction to National # Dramatic Center is sact as a bridge to introduce young creators and creators in the professional work environment of the performing arts.

In accordance with this declaration of intent, we will offer the educational community a Bag of places to carry out unpaid external internships at the Drama headquarters. This will allow the students to know in depth theatrical practice, thus complementing the theoretical knowledge about their subject matter.

Under no circumstances will it derive from its performance the obligations of an employment relationship, nor may its content give rise, in any case, to the replacement of the employment provision of jobs.

The legal coverage of these practices is included in a collaboration agreement that the National Institute of Performing Arts and Music (INAEM) signs with educational entities.

The National Dramatic Center It will only process the requests made through the educational center of the person interested in the internship program, not individually by the students. At the same time, exclusively students assigned to any study program of the centers that have an agreement signed with Inaem, which are currently the following:

  • Show Technology Center
  • School of Cinematography and Audiovisuals of the Community of Madrid (ECAM)
  • Complutense Institute of Music Sciences (ICCM)
  • Royal Higher School of Dramatic Art (RESAD)
  • Autonomous University of Madrid
  • Carlos III University
  • Complutense University of Madrid
  • Miguel de Cervantes European University of Valladolid
  • University of Salamanca
  • San Pablo CEU University
  • International University of La Rioja

He term To request the places offered this course is from Monday, November 16 to Wednesday, December 16, 2020, both included.

Below is a list of the sections in which educational practices can be carried out (in alphabetical order) and the number of places offered as well as the estimated duration of the practices per section:

2 Dramatic Action: The student will participate in the preparation and coordination of the program of transversal activities aimed at the public and professionals of the performing arts (meetings, colloquia, master classes, workshops, …) that the Drama develops in parallel to the production and exhibition of functions .

Duration of 2 to 3 months.

5 Direction and 5 Dramaturgy: The student will have the opportunity to attend a full rehearsal process for a theatrical production, sharing with the artistic and technical team the necessary tasks until the day of the premiere.

Duration subject to testing schedule.

2 Cultural Management and Production: the / the student will be able to know the reality of the production and management of a theatrical production, from the pre-production, the rehearsals and the exhibition of functions to the preparation of the tour, if applicable.

Duration subject to testing schedule.

5 Interpretation: The student will have the opportunity to attend a full rehearsal process for a theatrical production, paying special attention to the activity carried out by the cast of the same.

Duration subject to testing schedule.

1 Marketing and audience management: The student will be able to deepen the creation and loyalty of audiences through such fundamental elements as the sale of tickets, season tickets and communication.

Duration of 2 to 3 months.

2 Press and Communication: The student will participate in the promotion and dissemination work of the CDN premieres and activities in the media.

Duration of 2 to 3 months.

2 Technical section: The student will be part of the work team that prepares a show in the technical aspects specified below. You will learn about the preparations for the rehearsals and the attendance to the function during the exhibition period. Sections: Audiovisual, Lighting, Make-up, Machinery, Technical Office, Hairdresser, Office, Tailoring and Props.

Duration of 2 to 3 months.

* Both the calendar and the schedule of the practices will be subject to the calendar and schedules of the activities programmed by the National Dramatic Center.

** You can direct your inquiries to the following email: actpedagogica.cdn@inaem.cultura.gob.es

The entrance Internship offer at the Centro # Dramático Nacional was published first in National Dramatic Center.



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The Centro # Dramático Nacional premieres «Siglo mio, bestia mía», by Lola Blasco, directed by Marta Pazos

The Centro # Dramático Nacional premieres «Siglo mio, bestia mía», by Lola Blasco, directed by Marta Pazos


The Valle-Inclán Theater hosts the world premiere of this text, awarded with the 2016 National Prize for Dramatic Literature

Co-produced by # Dramático y Voadora, the work presents a committed and political look at a world in crisis passed through the author's most poetic and intimate sieve

The staging is carried out by Marta Pazos, leader of the avant-garde Galician company Voadora, and has Bruna Cusí, Jose Díaz, Miquel Insua, César Louzán, Hugo Torres and the author herself in the cast

Tomorrow it opens in the Francisco Nieva Room of the Valle-Inclán Theater of the # Dramático Nacional Center, My century, my beast, work for which Lola blasco received the 2016 National Prize for Dramatic Literature, and developed under the program of Development of Current Dramaturgies with which INAEM supports the creation of new and innovative dramatic texts each year.

With the metaphor of a whaling ship as the place from which the action unfolds, Blasco addresses horror, suffering, through the beauty of poetry. Defined by the author as "the emotional cartography of an era", Blasco affirms that the work "speaks of the personal crisis, the crisis of a political system, even the crisis of a value system." Behind the characters of this maritime journey to meet the white beast lies a historical, political and social story about the confrontation of cultures, prejudices towards what is different, and even lack of love.

Marta Pazos, whom the author invited to direct the text, highlights that what captivated her from the first reading was that “it is a deeply poetic work, about a woman who is broken with love, trying to get ahead in the middle of nowhere; and how by placing his body in the wind, he manages to leave the pain of the past behind and look to the future with light ”.

Pazos, who is co-founder, artistic director and playwright of Voadora -co-producers of the montage together with # Dramático- carries out a staging that draws on the personal style of the renowned Galician company, with its own language based on visual arts, music, the hybridization of disciplines and stage research. And he recognizes a special illusion to return to the Centro # Dramático Nacional, where he has already landed on previous occasions in front of productions such as his celebrated version of Summer night Dream, Garage, a poetic investigation on the change in the role of women in the European socio-economic framework, or the video creation I'm human, shot during confinement for the online programming of the # Dramatic "The CDN window".

The cast of My century, my beast It is composed of the author herself, Lola blasco, Bruna Cusí (Goya for Best New Actress in 2018 for Summer, 1993), Jose Díaz, Miquel Insua, César Louzán Y Hugo Torres.

My century, my beast will be from the eleven from November to 20 December in the Francisco Nieva Room dthe Valle-Inclán Theater.



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The Centro # Dramático Nacional premieres «Siglo mio, beia mía»

The Centro # Dramático Nacional premieres «Siglo mio, beia mía»


The Valle-Inclán Theater hosts the absolute premiere of this text, awarded the National Dramatic Literature Prize 2016. Co-produced by the #Dramatic and Voadora, the work presents a committed and political look at a world in crisis passed through the most poetic and intimate sieve of the author. The staging is carried out by Marta Pazos, leader of the avant-garde Galician company Voadora, and has Bruna Cusí, Jose Diaz, Miquel Insua, César Louzán, Hugo Torres and the author herself in the cast.

The entrance The Centro # Dramático Nacional premieres «Siglo mio, beia mía» was published first in National Dramatic Center.



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More than 420 applications for the first edition of Dramatic Residence

More than 420 applications for the first edition of Dramatic Residence


More than 420 authors have submitted their candidacy for the first edition of Dramatic Residence, a call launched on October 15 with the aim of selecting four playwright / as who will collaborate during this season with the #Dramatic. The participation profile was 60% men and 40% women. Regarding origin, applications have been received at the international level – from up to nine different nationalities from Latin America and Europe – and at the national level from the main autonomous communities, such as Andalusia, Aragon, Asturias, Balearic Islands, Canary Islands, Catalonia, Valencian Community, Extremadura, Galicia, Murcia or the Basque Country. The linguistic multiplicity of the playwrights is noteworthy (with representation from Castilian, Catalan, Basque, Galician or Valencian).

The four selected people will be announced on November 30, and between December and June 2021, the authors in residence will carry out a continuous collaboration with the #Dramático – participating in different activities such as workshops, colloquia or international exchanges – which will culminate in the creation of a new theatrical text.

This dramatic residency program convened by the #Dramatic inaugurates the new proposal of transversal activities with the title 'Dramatic Action'.



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The Centro # Dramático Nacional premieres Tribus, a piece that stages deafness to talk about communication


Tribes is an award-winning text by English playwright Nina Raine that is performed for the first time in Spanish under the direction of Julián Fuentes Reta

Produced by # Dramático with the collaboration of Octubre Producciones, it will premiere on November 6 at the Valle-Inclán Theater, where it will run until December 27

The cast includes deaf and hearing actors, and performances will be accessible to people with hearing disabilities every day

This morning the new production of the Centro # Dramático Nacional, in collaboration with Octubre Producciones, was presented to the media, which staged an unpublished text in Spain by the British playwright Nina raine. Tribes It is directed by Julian Fuentes Reta -Responsible, among many other productions, for staging in our country the two successful pieces by Andrew Bovell When it stops raining Y The things that I know are true– and opens this Friday, November 6 at the Valle-Inclán Theater.

Tribes is one of Raine's most celebrated works –of whom the #Dramático has already premiered another piece, Consentimpetus, in 2018, with which Magüi Mira won the Valle-Inclán Prize for her direction. Released in 2010 at the Royal Court in London, it has garnered multiple international awards, in addition to being premiered in various states of the United States or Canada. This will be the first time it will be released in Spanish, with a translation and adaptation by Jorge Muriel.

The assembly is also the result of a long work process. Since 2015, Fuetes Reta points out, he has been trying to bring the play to the stage. "We have a magnificent text that has been staged many times with all hearing actors, but in our case the process was longer due to the decision to integrate deaf interpreters." Thus, the project found in the CDN's ‘A different look – Challenge 2019’ festival the support it needed, a framework that allowed them to carry out different workshops and work sessions with associations of deaf people and experts. "We wanted to better understand their culture and be able to offer the two leading roles to deaf actors and actresses from Madrid," says the director.

Ángela Ibáñez, who has worked as an actress on previous occasions in the # Dramático – highlights her participation in Empty shellsby Magda Labarga and Laila Ripoll, or Mother Courage and her children, directed by Ernesto Caballero- plays the character of Silvia, who upon entering Guille's life (played by Marcos Pereira), deaf from birth but raised in a hearing family, will make him and his entire family question “no conventional ”, what is the difference between tolerance and acceptance. The cast is completed by Enric Benavent, Ascen López, Jorge Muriel and Laura Toledo, giving life to that family that acts as a tribe and serves as a vehicle to talk about (in) communication.

Tribes It is, above all, a comedy, according to Fuentes Reta, and a work that uses deafness as a kind of metaphor to talk about the will to communicate or not, regardless of the vehicle to do so. With a text that the director qualifies as "sharp, luminous and sometimes dark and opaque", "Tribes is a tour de force extremely funny and deeply unforgiving, ”according to Fuentes Reta.

It is a piece that also aims to bring the reality of the world of deaf people closer to hearing, and that "makes us reflect on what it means to speak and what it means to listen." In attention to the entire deaf community, Tribes it will be fully accessible to them throughout their exhibition, having integrated auditory accessibility into the artistic proposal itself.

Tribes It is exhibited from November 6 to December 27 at the Valle-Inclán Theater



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"The boy in the last row", by Juan Mayorga, directed by Andrés Lima arrives at the CDN

"The boy in the last row", by Juan Mayorga, directed by Andrés Lima arrives at the CDN


Produced by Sala Beckett, the play premiered in Barcelona last year and arrives in Madrid with a renewed cast, led by Alberto San Juan and Guillermo Toledo

It opens on October 14 at the María Guerrero Theater, where it will be held until November 8

This morning the next premiere of the National Dramatic Center was presented to the media, The boy in the last row, of Juan Mayorga, directed by Andres Lima, which will be exhibited at the Maria Guerrero Theater from October 14 to November 8. It is one of the most represented texts by the author. Not only was he awarded a MAX, but he was brought to film with great success by French director François Ozon under the title In the House and it is also included as one of the reference texts in the reading programs of public institutes. The piece deals with the link between a student and his literature teacher. "A play about the pleasure of looking at the lives of others and about the risks of confusing what is lived with what is imagined, a text that wants to make the act of imagining theater", according to Mayorga.

The boy in the last row It is also a work that brings together for the ninth time two renowned figures from the Spanish scene. Among other distinctions, Andrés Lima has received the National Theater Award and Juan Mayorga the Dramatic Literature Award. His collaboration as author and director has left us such memorable productions as Alejandro and Ana: what Spain could not see of the wedding banquet of the president's daughter of Animalario; Shock (The Condor and the Puma), which recently earned Lima the fifth MAX Award for Best Director; or Hamelin (MAX for Best Theater Show in 2006), a text that Mayorga has come to define as the literary father of The boy in the last row.

According to Andrés Lima these titles, Hamelin Y The boyThey are precisely "two of Mayorga's best works", of whose texts his sense of theatricality stands out, his way of approaching the mysterious of the human soul and the dark areas of the mind and his concern for the contemporary world; a theater heir to German philosophy and theater, as well as the Spanish Baroque and that always asks the pertinent questions; "A modern theater in the strictest sense of the word."

The boy in the last row it is a brilliant piece that makes complex things simple, adds Lima. “Starting from a specific anecdote, he makes a display from which we can contemplate all the facets of the human being: the betrayal of brotherhood, the parent-child relationship, the teacher-student relationship, the awakening of sexuality, the danger of adolescence, the birth of an artist… ”, he assures.

Juan Mayorga, for his part, highlights from the Lima direction "the complicity and rapport he achieves with and among the cast, who risks as with few directors, and seems to be one body." The boy in the last row, which produced and premiered the Sala Beckett last year, arrives in Madrid with a semi-renewed cast. The Barcelona cast remain young boys, embodied by Guillem Barbosa (in the role of Claudio) and his friend, Arnau comasBoth "great discoveries", according to Lima; and complete the cast Pilar Castro, Natalie Pinot, Alberto San Juan Y Guillermo Toledo, four regular interpreters from Lima with whom he has shared a vital complicity for a long time, which transmits to this show “a special life”, in the director's words.

Photos: Luz Soria



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The International Book Fair and the dramatized readings of "New Italian Scene" canceled

The International Book Fair and the dramatized readings of "New Italian Scene" canceled


We regret to announce that two activities scheduled for next October have been canceled: the XXI edition of the International Theater Book Fair, whose celebration was to host the Valle-Inclán Theater from October 15 to 18, and the dramatized readings of the cycle “ New Italian Scene: Three Readings – Riccione Theater Award ”, scheduled between October 30 and November 1 at the Sala El Mirlo Blanco del Valle-Inclán.

Return of seats

For purchases made through our website and by telephone:
The refund of the amount will be made automatically on the same card with which the purchase was made.

Contact for incidents:
Inaem Tickets
Telephone: 985 67 96 68 E
mail: Correo@entradasinaem.es

For purchases made through ticket offices:
The refund of the amount will be made from today, Tuesday, September 29, 2020, at the Valle-Inclán Theater box office, Plazuela de Ana Diosdado s / n (Plaza de Lavapiés). 28012 Madrid and the María Guerreo Theater, C / Tamayo y Baus 4, 28004 Madrid.

The opening hours will be from Monday to Friday from 12:00 h. at 5:30 p.m. Saturdays, Sundays and holidays, from 2:30 p.m. at 5:30 p.m.

Contact for incidents:
Valle-Inclán Theater box office
Telephone: 91 505 88 01
mail: sala.cdn@inaem.cultura.gob.es



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