This summer the fourth installment arrives on the big screen Toy Story, the animation franchise produced by Disney and Pixar that tells the adventures and misadventures of the most fun and adorable toys in the world. In this new film, Woody, Buzz and the whole gang return together with new toys to embark on a road trip that will make Woody discover, finally, his true vocation.

It has been nine years since the premiere of Toy Story 3, and from PlanetadeLibros we are very excited to see how one of the most emblematic sagas in the history of cinema ends. Therefore, we have prepared a list with four reasons why you can not miss its premiere:

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4 reasons why you can not miss Toy Story 4 - Forky

To continue the gang's adventures right where he stayed toy Story 3.

After an incredible ending that thrilled young and old alike, the toys stay with Bonnie, the girl Andy gave them to before leaving for college. What new adventures await you at your side? And, who is Forky? Where did it come from? Why is Bonnie's favorite toy?


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4 reasons why you can not miss Toy Story 4 - Great movie book

Because you can not miss the final end of the saga of your favorite animated toys.

Pixar has confirmed that Toy Story 4 It will be the last film of the franchise. And not only that: it will also be the last sequel to the studio in a good season: according to Mark Nielsen, one of the producers of the film, after Toy Story 4 all the films will be original.


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4 reasons why you can not miss Toy Story 4 - The graphic novel

Because, according to the critic, Toy Story 4 It is one of the best movies of the year.

And it does not surprise us: the excellent quality with which Pixar produces each one of its productions is a hallmark of unquestionable quality. The truth is that it is not easy: each chapter of the saga has been surpassing the previous one, which is not easy in sequels.

Toy Story 4 It has raised many expectations, but according to the opinions of the lucky ones who have already seen it, it has nothing to envy to previous deliveries.


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4 reasons why you can not miss Toy Story 4 - The book of stickers

Because we will never get tired of enjoying the incredible stories that this animation studio has given us since 1986.

One of the greatness of all Pixar films is that they always entertain the little ones and, at the same time, make the older ones fall in love and thrill. We are completely sure that Toy Story 4 It will not be an exception.


If you've been wanting more, go running to the movies, but first, we recommend you not to miss the movie book collection that we just published: among them you'll find a book with augmented reality and extra contents! Do not miss it!



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We talked with Ramón Campos, author of the novel The goldsmith and creator of the scripts of some of the most media and popular series in Spain, such as Velvet, Fariña or The girls of the cable.

Ramón Campos It presents a magnificent adventure novel and a beautiful love story. Romantic love, love of the family and love of a profession. Set in the Barcelona of the late s. XIX, The goldsmith tells the story of a young goldsmith with a promising future who knows Isabel, the daughter of an impoverished aristocrat, the Marquis of Terrassa. He announces that he will grant the hand of his daughter to the one who offers him the largest diamond in the world, and the goldsmith offers to find him. With this commission begins a surprising adventure in which the young, naive and deeply in love, will face a fascinating journey of thousands of kilometers and endless dangers.

How did the story of The goldsmith? Is it inspired by a historical character or event?

The story of The goldsmith born after finding in an old bookstore a manual of diamond cutter published in Barcelona at the end of the 19th century. From there I started reading about the world of diamonds and that's how I came to discover the history of the Kimberley mines in the center of South Africa, and the diamond fever that led thousands of men to travel there. The character of the goldsmith is not inspired by any real personage. On the other hand, his antagonist, the Marques de Terrassa, is freely inspired by a real person: Antonio López, Marques de Comillas, who was nicknamed "el negrero".

How was the process of documenting the book? We have been told that you came to travel to South Africa to prepare it properly, and even that you tried dishes similar to those that the protagonist had eaten in the s. XIX

The documentation process was arduous because in Europe it was not easy to find books that talked about life in South Africa at the end of the 19th century. For that reason, when I was halfway through the written novel, I decided to move to South Africa and visit the places where I wanted my goldsmith to go. So, I traveled first to Cape Town and then to Kimberley. On that trip I was able, among many other things, to try the food, mainly casquería, that my character would have eaten during his trip. An experience, this is the culinary, very interesting but I would not repeat …

What do you consider to have been the main differences between writing a script and a novel?

The main difference is that the script is a work tool for a team of more than 150 people. Each of them draw from him what they need to build the final work, the audiovisual. For this reason, the script as such has no value. Meanwhile in the novel what is written reaches the final recipient without any intermediary along the way that transforms your work into another. This means that communication is direct and therefore, as is logical, the literary work does have value.

What motivated you to capture your creation, this time, in a novel?

In the audiovisual one is always fighting with budgets. It can not be created freely but there are many teams thinking about how to carry out that work and each one of them has some conditioning factors that it transfers to the scriptwriter. This time, with this story, I did not want to feel those conditioning factors. With The goldsmith I wanted to be free to create and enjoy an epic story without any kind of hindrance.

Would you like to take the story to television?

I do not know if it is on television or at the cinema, but I do believe that sooner or later it will end up adapting to the screen. I am surrounded by people who are dedicated to the audiovisual and it would be strange that at some point the possibility of doing so was not put on the table.

Do you remember when your interest in literature awoke?

Since I was a child I have been an avid reader, especially because of my father's influence. He, who was a merchant seaman, read continuously during his travels and I did nothing more than imitate what he saw at home when he was on vacation.

What are your literary influences?

In this case I started very influenced by three readings: Silk, by Alessandro Baricco; Snow, by Maxence Fermine; Y Opium, by this same author. Then, as I was writing, I was distancing myself to find a voice closer to the adventures readings of my youth.

If you did not work creating stories, what would you have liked to do?

I can not imagine doing a job other than this.

And finally: what classic do you have to read on your bookshelf?

Many … Too many … But if I have to stay with one for which I am always looking for the right time I would say Moby Dick, by Herman Melville.



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On October 21, 1916, J.R.R. Tolkien was at the front with the Lancashire Fusiliers in an underground shelter, very close to the enemy's line. They were waiting for the order to attack and there was absolute silence between the soldiers. In the distance you could hear the noise of the fighting.

Tolkien was in the middle of the battle of the Somme, wondering if he would come out alive from that terrible bloodbath. Fortunately for lovers of literature – and unlike many of his colleagues – Tolkien not only survived the contest, but took many valuable experiences of it, which later transformed into scenes or literary characters of stories located in Middle-earth . Many years later, that moment of tense waiting before the battle found a distant echo in the Abyss of Helm, in one of the truly epic moments of The Lord of the rings, when the troops of the rohirrim they await the dawn and the moment when they must leave their refuge to face the enemy.

There are more examples. Garth tells us that, during the attack the next day, one of the ordinance carrying messages through the German bombing was later decorated for his bravery, and Tolkien himself admitted in one of his letters that the courage of the servants and soldiers The trenches of the trenches made him feel very inferior to them. One of Tolkien's most memorable and beloved characters, Sam Gamyi, was modeled on those men. Another example: when Tolkien and his companions returned from the battle a few days later, they found several tanks crawling to the front. An account in the German press, collected by Garth, described the British tanks (which were used for the first time in 1916) as a mixture between a reptile and a diabolical machine, which spat fire and sowed terror and death in its path. In "The fall of Gondolin", written months later, the forces of Morgoth destroy the legendary Elvish city with the help of "iron dragons", who carry orcs in their entrails.

After his participation in the Battle of the Somme, Tolkien returned from the trenches to recover, afflicted by the fever of the trenches. His country was still intact, but Tolkien's world had changed forever. As a distraction, he began to compile a glossary of the poetic and mythological words of the qenya, one of their invented languages. It may seem a peculiar way of dealing with the confusion and pain of those days, but we can find one of their motivations in the TCBS, the group of friends that had formed around Tolkien in his school days in Birmingham. It was a group of friends, full of creativity, who wanted to change the bland art of the present and "re-ignite an ancient light in the world". The war showed the seriousness of the efforts of some of them. Tolkien received the news of the death of Geoffrey Bache Smith, another member of the group, in December 1916. Shortly before, Smith had written to him: "May God bless you, my dear John Ronald, and may you say the things that I I tried to express a lot of time after I was not there to say them, if that is my destiny ".

Still deeply affected by Smith's death, Tolkien set to work. In the glossary he compiled during the first phase of his convalescence, he named it "Eärendil" first. The name had fascinated him from the moment he found it, two years earlier, in a poem written in old English. The poem, which spoke of the evening star, said: "Hail Earendel, the most luminous of the angels, sent to men on Middle Earth." Now Tolkien set out to discover the lost context in which an angel named Eärendil flew over Middle-earth to help men. The result was "The fall of Gondolin", the first story located in Middle-earth, where many of his life experiences came together, from loneliness and the search for beauty and love, his passion for languages ​​and poetry ancient – and the war that threatened to destroy all that. Tolkien himself would later say that his love of fairy tales (his term for fantastic literature) was awakened by philology and developed entirely by war. It was also a way to honor the memory of his dead friends, and the ideals that had marked his friendship with them.

Both "The Fall of Gondolin" and "Beren and Luthien" (which he wrote shortly after) are stories in which characters of great talents and passions fight against the forces that threaten to destroy the world – and conquer. Tolkien does not avoid suffering, pain and destruction, the death of great friends or the apparent decline of a beautiful ancient civilization, but unlike many contemporary poets and writers offers a way out of confusion and pain, based on the beauty of the natural world, art and the dialogue between death and immortality. True, the tanks he saw in 1916 turned into iron dragons that spit fire and ravaged the city of elves, but there was also room to explain how Tuor escapes from the ruins of Gondolin with his wife Idril and his son Eärendil, and how it takes one of the Silmarils to heaven, lighting a new star that provides hope to the inhabitants of Middle Earth.

"The fall of Gondolin" led to other literary explorations, focused on discovering more details of the world that had taken shape in his mind. In this way, the war marked the beginning of a vast network of legends and stories. "Beren and Lúthien" was his literary interpretation of a moment during his convalescence, when his wife Edith danced for him in a forest near Roos in Yorkshire. Again, it was not just a counterpoint to the "No Man's Land" and the destruction that Tolkien had witnessed at the front; It also helped to delve into the history of the Silmarils, which in turn would end up evoking the entire universe of gods, men, elves and dwarves portrayed in The Silmarillion. And so on.

Image result of tolkien the movie

The image of the "No Man's Land" would return in other Tolkien works. He himself wrote that the Ciénagas de los Muertos owed something to the North of France after the Battle of the Somme, and we can also see features of the same scene in the desolation of Smaug, the dragon of The Hobbit. However, the main contribution of the war in Tolkien's imagination is that it helped him to shape several of his experiences and transform them into literature. He highlighted the fragility of the human being in the face of death, and the suffering that we are capable of inflicting on ourselves with the help of modern technology. Tolkien endorsed the task of taking the legacy of his friends and his own aesthetic convictions to posterity, saving fragments of the past and joining these fragments in a beautiful literary tapestry full of beauty and harmony – unlike what T.S. Eliot in his famous poem "The Baldy Land" – making it accessible to a modern and disenchanted reader in a world that the war had left in ruins.

By Martin Simonson, Tolkien's translator into Spanish.

More information about the biography of Tolkien in the book TOLKIEN AND THE GREAT WAR (John Garth) The mythical author's life is again news thanks to the Fox movie Tolkien, already in theaters.



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With the summer (astronomical) just around the corner, announce the news Planet Comic for July and August. Star Wars will shine with the regular series and an integral crossover compilation The Citadel of the Screams.

Different, an impressive choral initiative by the NGO Dibujos por sonrisas, will bring the light and color of authors such as Miguelanxo Prado, Pasqual Ferry, Rubén Pellejero, Jaime Martín, Toni Fejzula, Jordi Sempere, Sara Soler, Bea Tormo, Claudio Stassi … Thus, 140 artists will illustrate with their own personality the unique script of Israel l. Squire.

The USA comic will liven up the summer hours with two new headers Aftershock that give a twist to already told stories: Pestilence Y Unholy Grail. In addition, new chapters of Team Red, Paria, Snoopy, Conan or Transformers Marvel UK they will complete the sun reading offer.

Finally, Japan will dazzle with unique deliveries (Naruto the Last, The Hinamizawa Stop, Trip to Agharta), new series (Bloom into you, GITS Stand alone complex) and more volumes of the collections in progress (Dragon Ball, My Hero Academy, 20th Century Boys, The fist of the North Star, Dragon Quest).

MORE INFORMATION HERE

DEPARTURE DATES:

• July news release: 2/7

• New releases in August: 9/7

Happy summer entrance!



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Ediciones Minotauro (Grupo Planeta) announces the convening of the XV edition of the Minotauro Award, a benchmark in the world of Fantasy and Science Fiction.

The bases of the award will be published during this month of June and can be consulted through the web, blog and social networks of the publisher (Facebook, Twitter, Instagram).

The winning project will receive 6,000 euros and will be published later, as in previous occasions it happened with Nieve en Marte (Pablo Tébar), Los que sueñan (Elio Quiroga), Pantheon (Carlos Sisí) or Señores del Olimpo (Javier Negrete), among other titles of undeniable talent.

Minotauro is the seal of Grupo Planeta, leader in the publication of science fiction, fantasy and horror literature. In its catalog, the emblematic works of J.R.R. Tolkien and the works of consecrated authors such as Ursula K. Le Guin, Ray Bradbury or Philip K. Dick.

In addition to the classics, it also has successful contemporary writers such as Dmitry Glukhovsky or John Scalzi and nationals such as Carlos Sisí or Sofía Rhei. It also bets on emerging talents, called to renew the contents of the publishing house, among which V.E. Schwab and Annalee Newitz.

Consult previous finalists of the MINOTAURO PRIZE



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We set course for the summer announced the news planned for July. During the next month, two will be the titles that will land at the Minotauro airport: Autonomous Y The Empire in Flames.

Emerging talent Annalee Newitz firm Autonomous. It is a novel set in 2144 and starring a scientist who pirates pharmaceutical patents, a military agent and his robotic partner. And as a backdrop, a fundamental reflection: Is freedom possible in a culture where everything, including people, can become property?

We do not leave the field of Science Fiction for the second release, since The Empire on fire is the sequel to the multi-award-winning space opera The end of the empire of John Scalzi. Undoubtedly, a trilogy full of political intrigues, sarcasm, suspense and action with the unmistakable touch of the North American author.



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The National Dramatic Center (CDN) welcome the next June 24 the meeting «Juan Margallo. Every master has his own trick" framed in the cycle «Great masters of the scene».

The act will be presented by the director of the National Dramatic Center, Ernesto Caballero, and will have the presence of the actor, director and theatrical author, Juan Margallo.

Outstanding figure of independent theater in Spain, he has also worked in film and television. In his extensive interpretive experience, he has been under the orders of directors of the caliber of José Luis Gómez, Miguel Narros, William Layton or José Tamayo. In theater, he has been recognized with the most important awards. As an interpreter, he has risen twice with the Max Performing Arts Award to the best actor for Open couple in 2003 and Mr. Ibrahim and the flowers of the Koran in 2006. Likewise, his company Uroc Teatro was awarded the Gold Medal for Merit in Fine Arts of the Ministry of Culture and Sports in 2011. In cinema, he was nominated for the Best Supporting Actor category in the Goya Awards by Champions in 2019.

At National Dramatic Center has released up to four productions. Like actor, The beautiful wounded of Lope de Vega (1962) and Mr. Ibrahim and the flowers of the Koran of Eric-Emmanuel Schmitt (2004). As director, Exercises for balancers of Luis Matilla (1980). And as an author and actor, Chimp! Postmortem pamphlet (2015).

The dialogue has free entry until full capacity is reached. The next one will be celebrated Monday, June 24, at 8:00 p.m., at María Guerrero Theater (Calle Tamayo y Baus, 4, Madrid).

It is part of the activities of Mondays with a voice of the National Dramatic Center, which aims to promote the meeting between the professionals of the scene with the general public.



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The ELEVEN dedicates the coupon on Saturday, June 15, to the festival 'A different look' Challenge 2019. Five and a half million coupons will show that there are no barriers in artistic activities.

The festival 'Una mirada diferente' is organized by the National Drama Center and is held from June 14 to 23 at Teatro Valle-Inclán, Madrid. Among its objectives is to improve the visibility and inclusion of artists with disabilities in cultural activity. It also aims to be a tool that promotes the presence of artists with disabilities in the usual programs.

'A different view' wants to stimulate, support, develop and publicize inclusive scenic projects, and make visible the capacities and work of artists with functional diversity, to collaborate in the standardization and professionalization of the inclusion of creators with functional diversity in the performing arts in our country.

Organized by the National Drama Center, throughout its previous editions it has faced new challenges so that each year, the festival was something unrepeatable. The National Drama Center is the first theater production unit created by the National Institute of Performing Arts and Music, of the Ministry of Education, Culture and Sport. Founded in 1978, its main mission is to disseminate and consolidate currents and trends of contemporary dramaturgy, with special attention to current Spanish authorship.

The ONCE Weekend Coupon offers a main prize for the five figures and a series of 300,000 euros, plus 5,000 euros a month for 20 consecutive years to a single coupon of the number and series awarded in the first extraction. In addition, prizes of 2,000 euros per month for 10 consecutive years, to the four coupons of the numbers and series awarded in any of the extractions of the second to the fifth. 54 prizes of 20,000 euros to the five figures of the number awarded in the first extraction. And prizes of 400, 200, 30, four and two euros.

The ONCE coupons are sold by the 20,000 selling agents of the ONCE. As always, thanks to the Point of Sale (TV) Terminal, the customer can choose the number that he likes the most. In addition, they can be purchased from the official website of ONCE Games (www.juegosonce.es), and authorized collaborating establishments.



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The National Dramatic Center (CDN) and the Library Network of the Cervantes Institute have organized in the month of June a virtual club reading Empty shells that will have the participation of the authors of the play, the playwrights and stage directors Magda Labarga Y Laila Ripoll.

The calendar of the main phases that make up the club are the following:

  • Duration of the reading: June 3 to June 28.
  • Online reading period: June 3 to 13.
  • Reading activity: June 14 to 28.
  • Chat (meeting of the readers with the authors): June 27th.
  • Ending: June 28th.

Empty shells arose from the encounter of Laila Ripoll Y Magda Labarga in the workshop «From the unexpected place» of the festival «A different look» of the CDN. The work is a network of stories woven with testimonies from the «Operation T4», codename that the Nazis gave to their euthanasia program aimed at eliminating people with disabilities, whom they considered unworthy lives to be lived, empty shells, and whose first victims were children. The castle of Hartheim It was one of the places where this operation took place. Six people tell us about their lives. Six people who would have been killed in the castle of Hartheim they tell us about him

The virtual reading club is framed in the last edition of the festival «A different look. Challenge 2019 ». It is also the result of the collaboration that the National Institute of Performing Arts and Music (INAEM) and the ICervantes Institute maintained since 2016. Thanks to her all the books of the National Dramatic Center They are also available for loan in electronic format in the Electronic Library of the Cervantes Institute.



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World Day of the Russian Language

Russia is very far away. So much so that we often forget the fruits of their culture. That's why in PlanetadeBooks we have proposed to make a small collection of books dedicated to your language. From great classics to books to learn the language.

Going through the Cyrillic alphabet, obviously, so that the 'K' becomes an 'A' naturally. You know, a way to expand our Russian vocabulary beyond the steppe, the mountain and the salad. There goes our selection of books on the occasion of World Day of the Russian Language:

The classic of León Tolstoy, Ana Karenina. This writer has an unclassifiable nature. His own ghosts are interwoven in this book, where he portrays the Russian urban bourgeoisie from the figure of its protagonist. Ana Karenina will have to face a society that is pure vanity. A character with an immense stele in world literature, which will be lost in a drift that will travel through the city and the more rural area, or what is considered the 'field', of Russia.


Crime and Punishment. The also classic Fyodor Dostoevsky It is a safe bet for the most demanding readers and enthusiastic about the depth of the characters. In this story, the author confronts his protagonist, Raskolnikov, with his inner ghosts. Without a kopex in your pocket, you will have to make decisions that many times will overflow your conscience. A reflection on the guilt and the way of facing it that will take its main character to delirium.


The considered first Russian modern novel, Dead souls, of Nikolai Gogol. Advancing to European realism, this author portrays the Russian society of the moment bordering on the caricature accent. Its protagonist, Pável, has a clever plan to get a house in property: he tries to swindle to get the properties of recently killed servants, the "dead souls", to sell them and keep the capital. Misery and mischief leave their wink in this novel of crude description.


Russian for Dummies Y Writing notebooks for Dummies. These two books will be your perfect tool to begin to introduce in this language. Unknown almost by antonomasia with Spanish. The two build knowledge as a pyramid, starting with the foundations (basic grammatical forms, verbs and Cyrillic alphabet) and ending with constructions of slightly more complex sentences. Even so, they have very useful sections of conversation, where they teach practical phrases to, for example, do business. The first also includes a small Russian-Spanish dictionary.


Russian for the traveler. An essential book if you want to launch the adventure to Eastern Europe. Based only on specific communicative situations, very common in the day to day of the traveler. From buying a coffee to booking a hotel. This guide is completely practical, but it will allow you to move comfortably in a communicative space that you are not used to.



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