Yes, it's already in theaters Aladdin, the expected remake in real action of the Disney classic directed by Guy Ritchie. In this film we will relive the adventures of the witty and mischievous Aladdin (Mena Massoud), the brave and determined Princess Jasmine (Naomi Scott) and the fun and unpredictable Genius (Will Smith).

Aladdin is based on the traditional Arabic story Aladdin, which is part of the compendium of stories Arabian Nights. It is the famous story of an adorable little thief from Agrabah who wishes to leave behind his past, convinced that the future holds something better for him; and of Princess Jasmine, the Sultan's daughter, who dreams of exploring the world that exists beyond the limits of her palace.

In PlanetadeLibros we are excited about this new adaptation of one of the best animated musicals of Disney, and we have prepared a list with five amazing curiosities this classic to celebrate:

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5 curiosities about Aladdin that you did not know - Disney treasures

The animators of the 1992 film were inspired by the actors who put the characters' voices to use as a direct reference. The animator Eric Goldberg, who was in charge of giving life to the charismatic Genius, used the eccentric improvisation of Robin Williams to design not only the appearance of the character, but to provide fluency and complete the development of the story.

And is that Williams left nothing less than 16 hours of material recorded! All this footage was the cause of Aladdin could not qualify for the Oscar Award for best adapted screenplay.


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5 curiosities about Aladdin that you did not know - graphic novel

Aladdin it meant everything box office record in theaters for the animated films in 1992: it obtained more than 200 million dollars only in the United States, and more than 504 million in the whole world. It also became one of the most successful films in the domestic market, surpassing two of the most important releases of the year, Batman Returns Y Only at home 2.


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5 curiosities about Aladdin that you did not know - rough diamond

The animated character of Aladdin is inspired by the actor Tom Cruise, although initially it was also thought of actor Michael J. Fox as a model. The pants worn by Aladdin also have a clear referent: those that the singer wore MC Hammer in the mythical music video U can not touch this.

To illustrate Jasmine, meanwhile, the illustrators opted for a mix between the actress Jennifer Connely and the sister of Mark Henn, one of the cartoonists who worked on the film.


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5 curiosities about Aladdin that you did not know - the novel

Does the vizier remind you of someone Jafar? It is directly inspired by Maleficent, the evil witch and antagonist of Sleeping Beauty. Both are tall and thin, share a similar style and like the scepters of power (and the power itself, of course).

They have the company of an ingenious flying mascot that supports them in their plans: the red macaw Iago, in the case of Jafar; and the black crow Devil, in the Maleficent. In addition, the two are transformed into giant animals throughout their respective films.


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Do you remember the mysterious Cave of Wonders? This cave with peculiar tiger head shape, next to the flying carpet, were the first two characters designed by computer for an animated film.

A breakthrough for 1992!


Have you been wanting more Aladdin? We recommend, in addition to the official book of the film, a very special luxury edition with sketches, illustrations and anecdotes from the original artists of Disney Studio. Do not miss the entire collection!



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Winners of the XXII Max Awards of Performing Arts, 2018-2019

The Jury for the Selection of Winners of the XXII edition of the Max Awards for Performing Arts, 2019, chaired by Ms. Teresa Nieto (President), Mr. Eloy Arenas, Ms. Mar Gómez and Ms. Doña Pedrero, as well as Ms. Yolanda García Serrano, as representative of the Organizing Committee (without vote) and Ms. Andrea de Gregorio, Coordinator of the Scenic Arts Department of Fundación SGAE, as Secretary without vote.

Reports that the XXII edition of the Max Performing Arts Awards have attended a total of 366 shows inscribed, of which 119 they were candidates, Y 35 were finalists. The latter being reviewed and analyzed by the present jury within the deadline established by the organization and, after the deliberations made today by the members of the jury, agree to proclaim as winners of the XXII edition of the Max Performing Arts Awards, 2019 to the following shows and professionals, ordered by category (nineteen):

1.- Best theater show

The Tenderness of City Theater and Abbey Theater.

two.- Best dance show

Scream pelao of Compañía Rocío Molina – Danza Molina, S.L.

3.- Best musical or lyrical show

The crazy opera of Klemark Theater Shows S.A, Rami Eldar and Yllana Productions.

4.- Best street show

Floats He said. David Moreno & Cristina Calleja.

5.- Best show for children, youth or family audiences

Dices of Ventrículo Veloz, S.L.U.

6.- Best revelation show

Iphigenia in Vallecas by Serena Producciones, S.L.

7.- Best theatrical authorship

– Josep Mª Miró i Coromina for Temps Salvatge.

8.- Best revelation authorship

Daniel J. Meyer for A.K.A. (Also Known As).

9.- Better adaptation or theatrical version

Jordi Prat i Coll by Els jocs florals of Canprosa.

10 Better musical composition for stage show

Sílvia Pérez Cruz for Scream pelao.

eleven.- Better choreography

Sharon Fridman for Erritu

12.- Best stage direction

Xavier Albertí for Temps Salvatge.

13.- Best design of scenic space

Curt Allen Wilmer by Lehman Trilogy.

14.- Best costume design

Deborah Macias for Comedy Aquilana.

fifteen.- Better lighting design

Juanjo Llorens for The curious incident of the dog at midnight.

16.- Best actress protagonist

María Hervás for Iphigenia in Vallecas.

17.- Best leading actor

Albert Salazar for A.K.A. (Also Known As).

18.- Better feminine interpreter of dance

Eva Yerbabuena for Tales of sugar.

19.- Best male dance performer

Daniel Doña for Psyche.

(tagsToTranslate) Max Awards



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Gala of the XXII Max Performing Arts Awards

The gala will take place at 8 pm at the Teatro Calderón in Valladolid

Concha Velasco will receive the Max de Honor Prize in her hometown

TVE will broadcast the gala live and in high definition by The 2, within a special program dedicated to the theater

"The party of freedom". This is the motto on which the XXII edition of the Max Awards that SGAE Foundation organizes this afternoon, at 8 pm, at the Calderón Theater in Valladolid, a gala that will highlight the Castilian-Leonese culture through the arts, tradition and the avant-garde. The gala will be broadcasted by La 2 of Radio Televisión Española live and for the first time in high definition.

Organized by the SGAE Foundation, with the collaboration of the City Council of Valladolid and the Foundation of Universities and Higher Education of the Junta de Castilla y León, the awards for excellence of the Spanish Performing Arts will run for a holiday in which it will be celebrated before all freedom.

"We want the Max Awards to be a celebration of freedom, to give voice to all people and groups, always with respect, and to remind us that art, in any of its forms, should not be persecuted," he explained. Ana Graciani, which highlights that the gala is not just an awards ceremony, it is a unique show with a specific theme.

The great celebration of the Performing Arts arrives, for the first time, to Castilla y León, in a week that also celebrates the 20th edition of the International Festival of Theater and Street Arts of Valladolid, whose artists will liven up the red carpet prior to start of the gala, starting at 6pm.

The scenic director Ana Zamora leads a luxury team, made up of Elisa Sanz as a stage designer, winner of seven Max Awards, and Deborah Macías as costume designer and costume designer. Wheat, blue and gold colors will turn a sober proscenium into a brilliant field of Castile. A predominantly female team for prizes in which "this year women represent 53% of the finalists", as Graciani explained.

"The gala will be a holiday, from dawn to night," Zamora clarified. "The commitment of the SGAE Foundation to give it a theme and creative freedom when developing it has allowed us to build a party in which we have a group of people who are committed to an idea to transmit some principles from the scenic and the theatrical. "

On the stage, as master of ceremonies, the actor from Valladolid will meet Fernando Cayo (Dress of Púgil and with shirt of Darío Beltrán) that will lead the gala in its diverse moments: morning, afternoon and night. "It is a pride to present a gala that has personality and content, a celebration that celebrates the Performing Arts without copying the strategies of galas of cinematographic awards from other countries," he said.

The feeling of vindication of the Castilian art is the one that has prevailed at the time of fitting all the artistic proposals of the gala. A festival of the arts capable of combining tradition and avant-garde through recitals and performances that go from the dulzaineros and cabezudos to contemporary dance and pop today. The performances of Sílvia Pérez Cruz (dressed in Cortana), the Burgos group LA MODA, Amancio Prada, Eliseo Parra (Vertize Gala), Julia de Castro (dressed in Armani, with a dress by Leandro Cano in photocall), Nuevo Mester de Juglaría, Let the children play Big Band and in the memory figures like Agapito Marazuela, Luis Rosales or Miguel Hernández.

A XII edition that will have exceptional contributions to deliver the 22 prizes (19 of the finalist categories and three special prizes): Charo López, Lucía Miranda (dressed as Anita's Singer), Lucía Quintana, Marta Poveda, Ginés García Millán and Óscar de la Source (Dresses by Vertize Gala), Ana Otero (dressed by Laura Bernal), Alba Frechilla and María Negro (dressed as La Novia & Co).

Special broadcast in the Sala Berlanga

For the first time, fans of the Performing Arts have the opportunity to follow the Max 2019 Awards Gala live (streaming, today from 8 pm) from Sala Berlanga in Madrid (c / Andrés Mellado, 53. Limited capacity).

The SGAE Foundation has enabled the broadcast of the gala on the big screen for all fans of theater and dance who wish to live live the excitement of the award ceremony. A perfect occasion to meet in a room equipped to enjoy the most awaited ceremony of the year for the professionals of the world of Performing Arts, accompanied by the finalist companies.

At the end of the broadcast, there will be a raffle among the attendees to attend as a public the Max 2020 Awards (travel and stay for two people).

Three special prizes

Organized by the SGAE Foundation since 1998, the Max Awards, whose prize is designed by the poet and artist Joan Brossa (Barcelona-1919/1998), promoter of one of the renewing collectives of post-war Spanish art, have been consolidated as over these years as the broadest recognition in the field of Performing Arts in the Spanish State, reaching a growing number of followers and arousing the interest of companies of all types and throughout the national territory.

These awards celebrate 23 years keeping their three special awards: Max honor award, that this year has distinguished the figure of Concha Velasco as a pioneer of Spanish musical theater; the Amateur Max Award or of a social nature, which in its XXII edition share ex aequo the Alicante company Taules Teatre and the riojana The Garnacha Theater, in recognition of his outstanding contribution to the Performing Arts; and the Max Public Award, granted to Genovese de Groc Teatre, by adding the highest number of votes through the online application #VotaMax

The Organizing Committee of the XXII edition of the Max Performing Arts Awards is composed of Ana Graciani, president of the SGAE Foundation; Pilar Jurado, president of the SGAE; the playwrights Juan Luis Mira, Paloma Pedrero and Óscar Castaño 'Garbitxu' (president of the Territorial Committee of SGAE in Euskadi); and the members of the School of Great Right of the SGAE Eduardo Galán, Yolanda García Serrano and the choreographer María Pagés.

(tagsToTranslate) Max Awards



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«All my orgasms were faked: Intimacy in the age of the sexbots»


On the occasion of the exhibitionion of Metallic, the Monday, May 20 the dialog will be celebrated «All my orgasms were faked: Intimacy in the age of the sexbots». In the meeting included in the cycle Mondays with a voice will participate:

  • Helena García, consultant in digital transformation and gender studies.
  • Mariano Hernández, psychiatrist, therapist and teacher.
  • Pablo Lanillos, Doctor in Artificial Intelligence and Robotics.
  • Moderator: Íñigo Guardamino, playwright and director.

The dialogue will take place on Monday, May 20, at 8:00 p.m. Hall of the Princess of the María Guerrero Theater in Madrid (Calle de Tamayo and Baus 4). Admission is free until full capacity is reached.

The artistic team of Metallic celebrated a meeting the Thursday, May 16 with the public, after the representation of the work, in which they answered the questions and observations that were made. In the meeting they participated:

  • Íñigo Guardamino, playwright and director.
  • Pablo Béjar, actor.
  • Marta Wars, actress.
  • Esther Island, actress.
  • Carlos Luengo, actor.
  • Sara Moraleda, actress.
  • Rodrigo Sáenz de Heredia, actor.

Metallic written and directed by Iñigo Guardamino is part of the program «Writings on the Scene», being the third work included in the cycle of this year. Your first exhibition period is until may 19, while the second period is between May 23 and June 9.



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Freedom, tradition and modernity at the XXII Max Performing Arts Awards

The gala will take place this Monday, May 20, at 8 pm, at the Teatro Calderón in Valladolid

Concha Velasco will receive the Max de Honor Prize in her hometown

TVE will broadcast the gala live and in high definition by La 2, within a special program dedicated to theater

"The party of freedom" This is the motto on which the XXII edition of the Max Awards which will take place next May 20 at the Teatro Calderón in Valladolid, a gala that will highlight the Castilian-Leonese culture through the arts, tradition and the avant-garde. The gala will be broadcasted by La 2 of Radio Televisión Española live and for the first time in high definition, from 20 hours.

Organized by the SGAE Foundation, with the collaboration of the City Council of Valladolid and the Foundation of Universities and Higher Education of the Junta de Castilla y León, the awards for excellence of the Spanish Performing Arts will run for a holiday in which it will be celebrated before all freedom.

"This is a freedom with responsibility and vocation," said Ana Graciani, president of the SGAE Foundation, at the presentation of the gala before the media, held today in Madrid. The act was also attended by Óscar Puente, mayor of Valladolid; Urbana Gil, director of the Culture and Society area of ​​TVE; José María Viteri, artistic director of the Calderón Theater in Valladolid; Ana Zamora, director of the gala, and actor Fernando Cayo.

"We want the Max Awards to be a celebration of freedom, to give voice to all people and groups, always with respect, and to remind us that art, in any of its forms, should not be persecuted," Graciani explained. , which highlights that the gala is not just an awards ceremony, it is a unique show with a specific theme.

For his part, the Mayor of Valladolid, Óscar Puente, thanked the SGAE Foundation for "having trusted in our city to host this important event. Be assured that Valladolid will be up to the level that the Max Awards deserve. "

The great celebration of the Performing Arts arrives, for the first time, to Castilla y León, because "it was already time for the Max Awards to come to Valladolid, a city that has amply demonstrated, and continues to do so, that it is a city of theater and in which this weekend the Max Awards coincide with the 20th edition of the International Festival of Theater and Street Arts of Valladolid ".

The feeling of vindication of the Castilian art, to which Bridge has made reference, is the one that has prevailed at the time of fitting all the artistic proposals of the gala. The scenic director Ana Zamora leads a luxury team, consisting of Elisa Sanz as the stage designer, winner of seven Max Awards, and Deborah Macias as costume designer and costume designer. Wheat, blue and gold colors will turn a sober proscenium into a brilliant field of Castile. A predominantly female team for prizes in which "this year women represent 53% of the finalists", as Ana Graciani explained.

"The gala will be a holiday, from dawn to night," Zamora clarified. "The commitment of the SGAE Foundation to give it a theme and creative freedom when developing it has allowed us to build a party in which we have a group of people who are committed to an idea to transmit some principles from the scenic and the theatrical. "

On stage, as master of ceremonies, will be the Valladolid actor Fernando Cayo who will lead the gala at its various moments: morning, afternoon and evening. "It is a pride to present a gala that has personality and content, a celebration that celebrates the Performing Arts without copying the strategies of galas of cinematographic awards from other countries," he said.

A festival of the arts capable of combining tradition and avant-garde through recitals and performances that go from the dulzaineros and cabezudos to contemporary dance and pop today. Outstanding are the performances of Sílvia Pérez Cruz, the Burgos group LA MODA, Amancio Prada, Eliseo Parra, Julia de Castro, New Mester de Juglaría, the Let the children play Big Band and in memory figures such as Agapito Marazuela, Luis Rosales or Miguel Hernández .

A gala, the mayor has continued, to be held at the Teatro Calderón, "we are delighted that our most emblematic scenic space, which celebrates 155 years of life and 20 since its rehabilitation, welcomes with that reason to the most beautiful of the Spanish scene ". And he also wanted to accentuate the vallisoletano flavor that will give to this event two natives of the city: his presenter, Fernando Cayo, and Max de Honor, Concha Velasco.

The artistic director of the Teatro Calderón, José María Viteri, has highlighted this space as "the theatrical heart of Valladolid, a city that loves theater with 6 rooms that have continuous programming, and that celebrates the best way the 20 years since its rehabilitation : with the Festival of Performing Arts ".

Special broadcast in the Sala Berlanga

For the first time, fans of the Performing Arts have the opportunity to follow the Max 2019 Awards gala live (for streaming, next May 20 from 20 hours) from the Sala Berlanga in Madrid (c / Andrés Mellado, 53. Limited capacity).

The SGAE Foundation has enabled the broadcast of the gala on the big screen for all fans of theater and dance who wish to live live the excitement of the award ceremony. A perfect occasion to meet in a room equipped to enjoy the most awaited ceremony of the year for the professionals of the world of Performing Arts, accompanied by the finalist companies.

To attend, it is necessary to register in advance through the e-mail address salaberlanga@fundacionsgae.org, before May 17, 2019. At the end of the broadcast, there will be a raffle among the attendees to attend as a public the Max 2020 Awards (travel and stay for two people).

Special programming in La 2 de RTVE

Televisión Española will broadcast the XXII edition of the Max Awards in rigorous direct and for the first time in high definition. A gala that can be enjoyed on May 20 from 20 hours on La 2 and on rtve.es.

Urbana Gil explained that RTVE will continue betting on prizes with which they have toured many cities in Spain since 1998, because they have "characteristics and importance within the Performing Arts that makes us very proud of this content"

Thus, the emission of the gala is included in a special program in which you can also see the interviews of Fernando Cayo and Concha Velasco in the program Attention Works! on May 16 and 23, respectively, in addition to the traditional special that this program dedicated each year to the awards.

In addition, the program History of our cinema from Friday 17 will broadcast two films, adaptations of plays: Yerma, by Federico García Lorca, and Almost a gentleman, José María Forqué's film, starring Concha Velasco, who will attend the program as a guest at the colloquium.

By last, Spanish version will emit this Sunday 19 Girlfriend, adaptation of Paula Ortiz for the big screen of the applauded text Blood Wedding of Lorca. The program will be completed with a symposium dedicated to the poet from Granada and the theater in which Jaime de los Santos, Councilor for Culture of the Community of Madrid, will participate; Carlota Ferrer, playwright and director of the Fall Festival; and Irma Correa, member of the Young Company.

Three special prizes

Organized by the SGAE Foundation since 1998, the Max Awards, whose award is designed by the poet and artist Joan Brossa (Barcelona-1919/1998), promoter of one of the renewing collectives of post-war Spanish art, has consolidated over these years as the broadest recognition in the field of Performing Arts in Spain, reaching every time a greater number of followers and arousing the interest of companies of all types and throughout the national territory.

These awards celebrate 23 years keeping their three special awards: Max honor award, that this year has distinguished the figure of Concha Velasco as a pioneer of Spanish musical theater; the Max Amateur or Social Prize, which in their XXII edition share ex aequo the company from Alicante Taules Teatre and the riojana The Garnacha Theater, in recognition of his outstanding contribution to the Performing Arts; and the Max Public Award, granted to Genovese of Groc Teatre, by adding the highest number of votes through the online application #VotaMax.

The Organizing Committee of the XXII edition of the Max Performing Arts Awards is composed of Ana Graciani, president of the SGAE Foundation; Pilar Jurado, president of the SGAE; the dramatists Juan Luis Mira, Paloma Pedrero Y Óscar Castaño 'Garbitxu' (president of the Territorial Committee of SGAE in Euskadi); and the members of the School of Great Law of the SGAE Eduardo Galán, Yolanda García Serrano and the choreographer María Pagés.

(tagsToTranslate) Max Awards



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The Valencian company Groc Teatre wins, with 'Genovese', the Max Prize of the Public 2019

Written and directed by the alcoyano Miguel Ferrando, the work is an allegation against sexist violence based on the real story of the murder of Kitty Genovese in the New York of 1964

Written and directed by Miguel Ferrando Rocher for the Valencian theater company Groc Teatre, the play Genovese has risen with the Max Public Award in its edition of 2019, thanks to the votes cast through the application on-line #VotaMax and in the voting section of the official website of the Max. This is the second time that the Max Performing Arts Awards have granted this special award – which is in addition to the Max de Honor and Max Amateur Awards, as well as the 19 contest categories -, with which it is desired to recognize the favorite show of this season for fans of the performing arts. In 2019, a total of 9,443 people participated in the vote (compared to 4,926 in 2018), and 11,782 votes were counted (one year before, 7,132).

The architects of the assembly Genovese will receive the award on May 20 during the gala of the XXII edition of the Max Awards for Performing Arts, organized by the SGAE Foundation with the collaboration of the City Council of Valladolid and the Foundation of Universities and Higher Education of the Junta de Castilla y Lion. The ceremony will also be broadcast live at 8 pm at La 2 de TVE.

With Genovese, the company Groc Teatre won a nomination, in the category of Best Revelation Show, in the current edition of the Max Awards, but did not manage to be among the finalists. The award has now reached them from the hands of its own public. "It has been an incredible surprise. For a small company like Groc Teatre, which also has only been active for six years, such a prize is a gift, "Miguel Ferrando comments excitedly. "The fact that it has been the public that has recognized our work is especially significant, since Genovese It is a complicated, hard, shocking work. In fact, after some performances, we have organized round tables with the public and the comments have always been wonderful, very emotional. We feel that with Genovese We have connected with the public, with their feelings, "he adds.

Symbol against sexist violence

Miguel Ferrando Rocher explains that the germ of his work Genovese you have to look for it in a theatrical writing workshop taught in 2017 by the dramatist Xavier Puchades. "He proposed an exercise on the subject that is dealt with in the text. I was very interested in the story and decided to investigate further. From there I wrote the work, I later passed it to the actress Amparo Marí, who interprets it together Ilion Trebickaand he loved it. It was a whole succession of incredible factors. " The process continued with an initial assembly that allowed for slight adjustments until its official release in November 2018, in the Sala Matilde Salvador de La Nau of the Universitat de València.

The story that tells the work, by the way, is that of Kitty Genovese, a 28 year old girl who was raped and murdered in 1964 near the apartment in Queens (New York) where she lived. As it became known later, more than thirty people heard the cries for help from the young woman, but they did not react in any way. Since then, the Genovese case has inspired films, songs and even comics, and has become a symbol against macho violence. "Unfortunately, Genovese is a universal and timeless theme, given that, although it happened more than fifty years ago, it is still fully valid. So many years after that, we are still talking about the same thing, "laments the playwright from Alcoy.

The play GenoveseHowever, it is not a faithful recreation of that fateful episode. Miguel Ferrando explains: "The piece shows a parallel between the event in New York and another similar set in the present. I wanted to start from that real story so that the public of today could empathize more with this issue, and, in this way, denounce that the story of Kitty Genovese is not something that has already happened, but something that is still happening, with other protagonists and, perhaps, in other circumstances, but it is something real and everyday. "

About Groc Teatre

The company Groc Teatre was founded in 2013. Since that date, it has set up different assemblies, such as Fuss, Tourmalet (Crisàlide Award 2019 to the Actor Revelación, of the association Actors i Actrius Professionals Valencians, a Guille Zavala) or Good luck Mr. Gorsky. The hallmark of the company is that all its productions are nourished by real stories, as in the aforementioned case Genovese. "In my texts I try to start from authentic events, but little known by the public, to then take them to the stage in a different way. I love popular culture and those facts that one day give rise to big headlines in the media and shortly after, suddenly, disappear. I love to rescue those stories, discover them to the public, and that's where, in fact, I find inspiration and material for my works, "says Miguel Ferrando.

The actor and director Miguel Ferrando was born in Alcoy (Alicante) in 1985. He has studied Performing Direction and Dramaturgy at the School of Dramatic Arts of Valencia, in addition to attending numerous theatrical courses and workshops taught by, among others, Antonio Rojano, Carles Alberola, Paco Zarzoso or Eva Zapico. Director and founder of the company Groc Teatre, he has written, directed and premiered more than a dozen pieces. His work Tourmalet It has been published by La Caja Books.

Three special prizes

Organized by the SGAE Foundation since 1998, the Max Awards, whose award is designed by the poet and artist Joan Brossa (Barcelona-1919/1998), promoter of one of the renewing collectives of post-war Spanish art, has consolidated over these years as the broadest recognition in the field of Performing Arts in Spain, reaching every time a greater number of followers and arousing the interest of companies of all types and throughout the national territory.

These awards celebrate 23 years keeping their three special awards: Max honor award, that this year has distinguished the figure of Concha Velasco as a pioneer of Spanish musical theater; the Max Amateur or Social Prize, which in their XXII edition share ex aequo the company from Alicante Taules Teatre and the riojana The Garnacha Theater, in recognition of his outstanding contribution to the Performing Arts; and the Max Public Award, granted to Genovese, by Groc Teatre, by adding the most votes through the online application #VotaMax.

The Organizing Committee of the XXII edition of the Max Performing Arts Awards is composed of Ana Graciani, president of the SGAE Foundation; Pilar Jurado, president of the SGAE; the dramatists Juan Luis Mira, Paloma Pedrero Y Óscar Castaño 'Garbitxu' (president of the Territorial Committee of SGAE in Euskadi); and the members of the School of Great Law of the SGAE Eduardo Galán, Yolanda García Serrano and the choreographer María Pagés.

(tagsToTranslate) Max Awards



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«Living memory between Gemma Cuervo and Cayetana Guillén Cuervo» in Los Mondays with voice


«Living memory between Gemma Cuervo and Cayetana Guillén Cuervo»

The National Dramatic Center (CDN) hosts the dialogue on Monday, May 13 «Living memory between Gemma Cuervo and Cayetana Guillén Cuervo» within the cycle «Live memory. Encounters with masters of the scene », organized by the Documentation Center for the Performing Arts and Music and the Academy of Performing Arts of Spain.

The speakers of the meeting will be speakers. Academy of Performing Arts of Spain, Jesus Cimarro, the veteran actress Gemma Cuervo and her daughter the interpreter and television presenter Cayetana Guillén Cuervo. Both actresses have worked for the National Dramatic Center on several occasions Gemma Cuervo has premiered the works Blazon Eagle in 1966, The comuneros in 1974 and Julius Caesar in 1976. On the other hand, Cayetana Guillén Cuervo has starred in the productions The misunderstanding in 2013 and Hedda Gabler in 2015

The dialogue opened until full capacity will be held on Monday, May 13, at 8:00 p.m., in the Margarita Xirgu Room, at María Guerrero Theater (Calle Tamayo y Baus, 4, Madrid).

It is part of the activities of Mondays with a voice of the National Dramatic Center, which aims to promote the meeting between the professionals of the scene with the general public.



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Meeting with the artistic team of «Shock (El Cóndor y el Puma)»


Shock (The Condor and the Puma) is inspired by the book The doctrine of shock of Naomi Klein. In this title, the author defends the hypothesis that capitalism takes advantage of the shock derived from catastrophes to impose its policies. According to this theory, the first experiment was carried out after the coup d'état of the general Pinochet about the Government of Salvador Allende.

Andrés Lima, one of those responsible for the text and dramaturgy in addition to the director of Shock (The Condor and the Puma), affirms that the work sustains the idea that "in some way those who participate in all these shocks, once dead, continue to resurrect in the figure of others to continue applying the same policies".

Albert Boronat, also in charge of the text and dramaturgy, defends the actuality of the work. «Why does everything we see on the scene talk about us? Not for a simple museum question. But why do we continue to buy that ultraliberal model that is imposed on the basis of blood and fire in a certain way?

If you want to know more about the work, the National Dramatic Center has organized on Thursday, May 9 a meeting with the artistic team that will be held prior to the representation of the work, at 18.00, at Valle-Inclán Theater of Madrid (Plazuela de Ana Diosdado s / n, Plaza de Lavapiés).



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The companies Taules Teatre and La Garnacha Teatro share the Max Amateur Award 2019

With several decades of experience and numerous awards in their curricula, they have become two reference companies in the panorama of Spanish amateur theater

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The organizing committee of the Max Performing Arts Awards has granted the Max Amateur or Social Character Award 2019 ex aequo to companies Taules Teatre of Pinoso (Alicante) and The Garnacha Theater of Logroño (La Rioja). The first celebrates four decades of uninterrupted activity. Forty years, since its premiere in 1979, during which it has made more than sixty productions with which it has toured throughout the Spanish geography and, even, by different international festivals, from Mexico to India, and that have earned them to harvest more of a hundred awards. The committee of the Maxs has wanted to emphasize especially the role that the company has developed as a cultural promoter throughout the province of Alicante and, by extension, of the Valencian Community, and its permanent commitment to a theater amateur of great quality and committed to the reality of its environment.

Also veteran is La Garnacha Teatro, which since its creation in 1983 has established itself as a reference company in the amateur stage scene, both for its numerous awards and the rigor of its proposals, and for showing the consolidation of a cultural project in the one that practically continues the same team from its beginnings. In addition, this group has been the driving force of the Garnacha National Theater Competition of Rioja Haro, aimed at amateur and professional companies, which this year reaches its 22nd edition and has become the most important competition in its category of how many are held in all Spain.

On May 20, the director of Taules Teatre, José Antonio Pérez Fresco, and that of La Garnacha, Vicente Cuadrado Palma, will go on stage at the Calderón Theater in Valladolid to collect their respective awards during the gala of the XXII edition of the Max Awards for Performing Arts, organized by the SGAE Foundation with the collaboration of the Valladolid City Council and the Universities Foundation and Superior Teachings of the Junta de Castilla y León.

"Receiving the Max Amateur has meant, in addition to immense joy, recognition of a whole career of forty years," explains the director of Taules Teatre. "Four decades during which we have not ceased to release and rotate a single year, always wanting to grow and achieve maximum excellence. You can say that we are already an institution in our region, "he adds. In similar terms, the head of La Garnacha Teatro, Vicente Cuadrado, highlights the "immense joy" that this award has been for the entire company. "It has been something quite unexpected. The highest award we could aspire to, "he says.

Taules Teatre: 40 years of passion for theater

The passion for theater is what undoubtedly defines the work of Taules Teatre. This is the only way to understand the enormous involvement of the members of this company in a project that has been growing at the same rate that its audience was doing, and that, despite its own vocation amateur, aspires to offer a professional quality product to the spectators. "We are very demanding with ourselves, but also our public is more and more. People value our effort and the quality of our assemblies, and, in fact, of the nearly eight thousand inhabitants that our municipality of Pinoso has, around two thousand attend our representations regularly, "says José Antonio Pérez Fresco.

There is an anecdote that the director of the company recalls and that, somehow, portrays the members of Taules Teatre: "The Catalan writer and playwright Jaume Serra i Fontelles, with whom we maintain a magnificent relationship, he wrote for us Refugiats i fugitius, which we premiered in 2009. The work is about a group of people who every night take refuge in a station without trains to share stories with which to try to escape from everyday life and the monotony of their own lives. Serra told us that this is how he saw us all and, in reality, this story is a metaphor that defines us perfectly. The theatrers are very rare people "laughs Pérez Fresco.

The origin of Taules Teatre dates back to 1979, when a group of young people, moved by the euphoria of the Transition and the nascent democracy, decided to create a cultural association that, among other initiatives, soon launched with great success a film club and a theater group. The projections lasted five or six years, the theatrical activities, however, gained momentum and have not stopped in these four decades. "The company lasted because from the first moment the venom of the theater was permeating all of us. And in our audience. We managed to give life to a town away from large populations, in addition to offering cultural alternatives to our young people, so that they could be integrated and participate, "says the theatrical director. In this line, the training work that Taules Teatro has been developing since the early 90s has been particularly relevant, through the creation of a Municipal Performing Arts Workshop for girls and boys, which years later was transformed into a Theater School that currently has with almost a hundred students of all ages and from all over the region. "Over the years, we have made children and adults consider the theater as an essential aspect for their development. From our school, in addition, professionals from the scene have come out. All this feeds us, renews our enthusiasm and passion for theater, "he says.

The director of Taules Teatre, finally, points out two milestones in this long trajectory of the company. On the one hand, when in 1989, coinciding with the tenth anniversary of the theater collective, the Casa de la Cultura de Pinoso was inaugurated. There they found a suitable space to rehearse and represent their shows in conditions, which led them to "take the leap and face much riskier productions". Already in the 90s, on the other hand, when the theatrical competitions began to proliferate all over the country, the members of Taules Teatro saw there a possibility of undertaking new challenges and continuing to grow. His passion, again, was reinforced and recognized with numerous awards, more than a hundred since then, and with the jump to the international scene, participating in the Indian Theater Olympiad and in the Revolt Festival of the Mexican State of Durango. Acknowledgments to those who now add the Max Amateur Award 2019, which, in the words of José Antonio Pérez Fresco, will serve to provide "added value and new doses of passion to the company." For many years.

La Garnacha Theater: the dream of the theater

With almost forty years of history behind it and a spectacular curriculum, La Garnacha Teatro is considered one of the most prestigious amateur theater companies in Spain. The figures support it: its components have staged around forty works (currently, they have eight different productions in their repertoire) and add more than 350 awards in national competitions (and, among them, a total of 66 first prizes) . Also, as they like to point out, the company keeps four of its founding members in its ranks. "It seems like a dream," says the director of the theater group, Vicente Cuadrado Palma. "We never imagined that we would travel and get to know the entire Spanish geography, its gastronomy, its culture, its landscapes, doing what we like the most and finally reaching a recognition as important as the Max's," he adds.

The adventure began in 1983, when a group of students from the I.E.S. Brothers D'Elhuyar of Logroño joined together to, simply, "make theater". Since then, those young people have grown, but they say they keep their enthusiasm intact for the scene and, although they have been integrating new members to the company during the journey, they still prefer not to talk about generational relief: "We are still young and would like to continue with This project is the same as we started it, along with those who have joined us to make this story that we are passionate about and to which we have dedicated so many hours of dedication during all these years possible. "

They also keep intact that kind of motto that has guided them on their way: "We make theater to do theater". So, without more. Cuadrado explains: "We have always considered that the most important thing for us was the fact of doing theater, without this vocation could serve as a source of income for any. Therefore, La Garnacha has dispensed with the subsidies and never any member of the company has charged anything for their activity. Everything that is generated is reinvested in the group itself. " In this way, the theater collective has been adding each season new productions to their history, increasing their level of demand and avoiding prejudices. "We have represented all kinds of genres: comedy, tragedy, classical and avant-garde theater, children's theater, musical theater … And from works by emblematic authors, such as William Shakespeare, Albert Camus, Dario Fo or José Zorrilla, to classics of the Riojan theater as Manuel Bretón de los Herreros or contemporary playwrights like Alfonso Sastre and Ignacio García May"

In 2006, La Garnacha Teatro received a nomination in the Max Awards, in the category of Revelation Show, for The night of Madame Lucienne of Copi, under the direction of Angel Facio. "It is the only time that we have been directed by a professional, although it adapted to our group philosophy, but we had to renounce the nomination because it was not a professional company," says Vicente Cuadrado Palma. On May 20, however, the head of the company can go on stage to pick up a statuette at the gala of the Max. "By residing in a small community like La Rioja, where there are also very few theaters, the contests have allowed us to travel and make our work known throughout Spain. In a way, the prizes are the seeds that constantly renew our illusion and allow us, in addition, to finance new assemblies and initiatives ".

Some of those projects parallel to the company is, for example, the National Garnacha Theater Contest that since 1998 organized in the town of Haro. "The contest has a phase for amateur companies and another for professionals. It is a risk and, in fact, at first we thought it would not work. However, more than two decades later, the festival is fully consolidated and is a reference in Spanish theater, "he concludes.

Three special prizes

Organized by the SGAE Foundation since 1998, the Max Awards, whose prize is designed by the poet and artist Joan Brossa (Barcelona-1919/1998), promoter of one of the renewing collectives of post-war Spanish art, have been consolidated as over these years as the broadest recognition in the field of Performing Arts in the Spanish State, reaching a growing number of followers and arousing the interest of companies of all types and throughout the national territory.

These awards, whose next edition will be broadcast live at 8:00 pm on TVE's La 2, celebrate 23 years of keeping their three special awards: Max honor award, that this year has distinguished the figure of Concha Velasco as a pioneer of Spanish musical theater; the Max Amateur or Social Prize, which includes projects in favor of integration and social projection and amateur companies with an outstanding contribution to Performing Arts; and the Max Public Award, which will be granted to the show that has obtained the greatest number of votes from the public through the online application #VotaMax. .

The Organizing Committee of the 22nd edition of the Max Performing Arts Awards is composed of Ana Graciani, president of the SGAE Foundation; Pilar Jurado, president of the SGAE; the dramatists Juan Luis Mira, Paloma Pedrero Y Óscar Castaño 'Garbitxu' (president of the Territorial Committee of SGAE in Euskadi); and the members of the School of Great Law of the SGAE Eduardo Galán, Yolanda García Serrano and the choreographer María Pagés.

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Meeting with the artistic team of «Passion (Tragic Farce)»


The National Dramatic Center (CDN) organize tomorrow Tuesday, April 30 a meeting with the artistic team of «Passion (Tragic Farce)» directed to the public that attends the representation of the function that day.

At the meeting, speakers will participate:

  • Artistic team: Ester Bellver (Address), Pablo Menor Palomo (Scenography and Costumes), Pablo Cediel (Musical composition) and Roberto García Tomé (Advisor verse).
  • Distribution: Charo Gallego, Rosa Herrera, Daniel Moreno, Lidia Otón, Jose Luis Sendarrubias, Asier Tartás, José Troncoso Y Felipe García Vélez.

«Passion (Tragic Farce)», with text from Agustín García Calvo? and address Ester Bellver, is a research project of the Rivas Cherif Laboratory of the National Dramatic Center. The work presents an athlete of recognized talent in the art of ascending the cucaña aspires to be the fastest in the competition and get the «golden cock».

The dialogue with the artistic team will take place, after the representation of the work, at 7:30 p.m. in the Francisco Nieva Room of the Valle-Inclán Theater (Plazuela de Ana Diosdado s / n, Plaza de Lavapiés).



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