Call for ephemeral architecture for the vestibule of the Valle-Inclán Theater


The projects submitted to the already closed call come from countries such as Spain, Italy, Mexico, Uruguay and Venezuela

The CDN has received 61 proposals to participate in the call for ephemeral architecture for the vestibule of the Valle-Inclán Theater. The projects submitted to this already closed call come from countries such as Spain, Italy, Mexico, Uruguay and Venezuela.

The CDN, in collaboration with the Official College of Architects of Madrid (COAM) and the Association of Performing Plastic Artists of Spain (AAPEE), Opened a call for ephemeral architecture for the lobby of the Valle-Inclán Theater, located in the Plazuela de Ana Diosdado s / n (Plaza de Lavapiés) in Madrid.

The objective is to generate a multifunctional space for the spectators that can host activities of different kinds such as meetings with the public, press conferences, exhibition and consultation of books, etc.

Selection of the winning project

The selection body is made up of representatives of the National Institute of Performing Arts (INAEM), CDN, COAM, AAPEE and the architects of the Valle-Inclán Theater. All of them will choose three finalists who will have to elaborate a more detailed project of the installation. Finally, the winning proposal will be one that, in addition to meeting quality standards, solves the construction process in a simple, economic, safe and fast way.

With this call, the CDN and the COAM begin a collaboration that aspires to have continuity over time by organizing joint activities.



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The CDN starts selling seats for the shows of the Season Preview 2020-2021


To avoid displacement, we recommend that our telematic sales channels be used preferentially

He National Dramatic Center This Tuesday, July 21, the sale of seats for the shows of the Season preview 2020-2021. According to Inaem Ticket Buying Guide, we recommend that trips are avoided and that our telematic sales channels are used in a preferential way, that is, through the web ticketsinaem.es.

Telephones 985 67 96 68 and 902 22 49 49.

For those who prefer to go in person to our lockers, it is mandatory to wear a mask and keep an adequate interpersonal distance.

Hours and contact details of the María Guerrero and Valle-Inclán theaters:

  • Opening: from July 15 to 26 and from September 1 to 6, 2020.
  • Hours: Monday to Friday, from 10:30 a.m. to 2:30 p.m. and from 4:30 p.m. to 8:30 p.m. Saturdays and Sundays from 10:30 a.m. to 2:30 p.m.
  • Contact: María Guerrero Theater: 91 310 15 00 | 91 310 94 37. Valle-Inclán Theater: 91 505 88 01.

Subscribers of the 2019-2020 Season

CDN subscribers, regardless of their type of subscription, will be able to purchase with a 52% discount the shows offered last season in subscription and rescheduled in the last quarter of 2020.

You can consult all the information about sales and prices in this link.



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The National Dramatic Center announces its season advance between September and December 2020


ANDhe CDN will program thirteen theatrical productions and will host a new edition of the International Theater Book Fair and the cycles "New Italian Scene" and "Titerescena"

The National Dramatic Center (CDN), which has not ceased its theater activity these months with the online programming of The CDN Window and with him streaming cathartic trilogy THE PYRA, will open its doors to the public after the summer. Between the months of September and December it will schedule thirteen theatrical productions scheduled for last spring, within the 2020-2021 season.

Dark night (from September 15 to 20 in the Francisco Nieva Room), with the address of Save Bolta, It will mean a return to the public to the CDN seating area. The play presents a dramaturgy of Sergio Martínez Vila with voices and silences through the idea of ​​the mystical experience of San Juan de la Cruz.

Autumn in April (from September 16 to October 4 at the María Guerrero Theater), with text and address of Carolina Africa, is the second part of the acclaimed piece by the company La Belloch Teatro, Summer in December, It will also be seen on stage again (September 20 and 27 and October 4 at the María Guerrero Theater).

THE PYRA, The trilogy broadcast in streaming and without an audience will return to the tables of the National Dramatic Center. This time it will be with spectators from the Valle-Inclán Theater. The trilogy is composed by The shock, with text from Alfredo Sanzol, Victoria Szpunberg and Eva Mgo, and under the direction of the first (September 18 and 19); Distance, written by Pau Miró, Andrea Jiménez and Noemi Rodríguez and Juan Mayorga, and under the direction of Andrea Jiménez and Noemi Rodríguez, (September 22 and 23) and Uncertainty, with text from Pablo Remón, Denise Despeyroux and Lucía Carballal, and under the direction of the first (September 26 and 27).

Happy days (from September 30 to November 1 in the Sala Francisco Nieva), one of Samuel Beckett's best-known plays, returns to the CDN, with a translation of Antonia Rodríguez Gago and in version and direction of Pablo Messiez. A co-production between the National Dramatic Center and Buxman Productions.

The Macaluso Sisters (from October 1 to 4 at the Valle-Inclán Theater), with text and address of Emma Dante, It will be the international representation framed in the cycle "A look at the world". The text, inspired by a personal anecdote from a friend of the creator, is a production by Teatro Stabile di Napoli, Festival d'Avignon, Théâtre National (Brussels) and Folkteatern (Göteborg), with the collaboration of the company Atto Unico / Sud West Coast.

Transformation (from October 2 to November 8 in the Princess Room), with text and address of Paloma Pedrero, It talks about the path to being of a group of trans protagonists in struggle with the world that rejects them.

The boy in the back row (from October 14 to November 8 at the María Guerrero Theater) Juan Mayorga will be represented in the CDN under the direction of Andrés Lima in a production of the Beckett Room. The world of classrooms reflected by Juan Mayorga from the desk in the last row.

Tribes (from November 6 to December 27 at the Valle-Inclán Theater), with text by Nina Raine, adaptation of Jorge Muriel and address of Julián Fuentes Reta, The protagonist is Guille, a deaf boy who communicates by reading lips because his family is not in favor of using sign language. The assembly of the CDN with the collaboration of October Productions stands out for the accessibility of the show for deaf people since its inception.

My century, my beast (from November 11 to December 20 in the Francisco Nieva Room), with text from Lola Blasco and address of Marta Pazos, is a co-production of poetic overtones between the CDN and the Galician company Voadora, which, however, refers to political events but without dispensing with humor and irony. The text was recognized with the 2016 National Dramatic Literature Prize for Lola Blasco.

Dear caprice (from November 20 to December 13 in the Princess Room), with text from Tomás Cabané In collaboration with Tomás Pozzi and address of the first. Co-production of the National Dramatic Center, Check-In Productions and Pedro Hermosilla Productions, is a story of eight encounters, a mixture of memories and fiction, which are projected in a fragile correspondence.

Likewise, the CDN will host the 21st edition of the International Theater Book Show (from October 15 to 18 at the Valle-Inclán Theater), an event that co-organizes with the Association of Theater Authors and Authors (AAT). And the cycles will return «New Italian Scene: Three Readings – Riccione Theater Award» with the works Eighty-nine of Elvira Frosini and Daniele Timpano, with address of Manuela Cherubini; Night On White of Tatjana Motta and address of Manuela Cherubini and For your own good of Pier Lorenzo Pisano, with address of Manuela Cherubini (from October 30 to November 1 in the Sala El Mirlo Blanco) from Istituto Italiano di Cultura di Madrid in collaboration with the Riccione Theater Award and "Titerescena" ( Bee the flock, October 24 and 25, New shoes November 14 and 15 and Snow White December 12 and 13 in the Sala El Mirlo Blanco), a puppet theater for the whole family in a collaboration of the CDN with the Tolosa International Puppet Center (Topic).

This Wednesday, July 15 the ticket offices of the CDN stage venues were reopened to facilitate the return of tickets purchased in cash. To avoid displacement, it is recommended to preferably use the telematic channels (web form and post office box).

Tickets for the season advance can be purchased from Tuesday July 21 on the usual channels. In this case also, to avoid displacement, it is recommended to preferably use the telematic channels (online and telephone sales through Inaem Tickets).



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The artist Aitor Saraiba intervenes in the Margarita Xirgu Room of the María Guerrero Theater


Aitor Saraiba the Margarita Xirgu Room of the María Guerrero Theater from Madrid. The artist is drawing a large mural painting on the wall in pink and white colors, of different shades, showing circular and elliptical geometric shapes.

In addition, it will make the curtains made of different materials and that allow light to pass through them.

Aitor Saraiba (Talavera de la Reina, 1983) is a multidisciplinary artist, draftsman, writer, photographer, filmmaker, or ceramic decorator. His latest work is the poetry book. I love when your claws caress my soul.

Under the hashtag #NewXirgu, he CDN National Dramatic Center has wanted to reorder and resignify the Margarita Xirgu Room of the María Guerrero Theater with the aim of making it a meeting place open to citizens. He too CDN has launched a call for ephemeral architecture for the vestibule of the Valle-Inclán Theater in collaboration with the Official College of Architects of Madrid (COAM) and the Association of Performing Plastic Artists of Spain (AAPEE).



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Call for ephemeral architecture for the vestibule of the Valle-Inclán Theater


The CDN will select, together with representatives of COAM and AAPEE, an ephemeral architecture project for the lobby of one of its venues, the Valle-Inclán Theater

The new management team of the National Dramatic Center (CDN) seeks to reorder and resignify the spaces available to this institution, with the aim of making the theater a meeting place open to citizens, integrating the challenges that the new normality poses for us. For this reason, the CDN, in collaboration with the Official College of Architects of Madrid (COAM) and the Association of Performing Plastic Artists of Spain (AAPEE), opens a call for ephemeral architecture for the vestibule of the Valle-Inclán Theater, located in the Plazuela de Ana Diosdado s / n (Plaza de Lavapiés) in Madrid.
The objective is to generate a multifunctional space for the spectators that can host activities of different kinds such as meetings with the public, press conferences, exhibition and consultation of books, etc. It must cover an approximate surface of 160 square meters and accommodate a minimum capacity of 30 and a maximum of 100 people simultaneously, always subject to the regulations established by the health authorities.
For the realization of the work, materials donated by the exhibiting companies in the Materials Gallery of the Official College of Architects of Madrid (MATCOAM) –a total of 37 different materials from 20 manufacturers– can be used to explore new utilities and exploit them to the maximum His properties.
The call is addressed to profiles that carry out their activity within the field of architecture, design, scenography or other titled technical professions. There will be a maximum of € 15,000 (VAT included) subject to applicable tax legislation, for other materials or additional needs, as well as € 6,000 (VAT included) for fees distributed as follows: € 1,000 for each one of the three finalist proposals, plus an additional € 3,000 for the winning project.
Innovation and sustainability, a vanguard spirit and environmental responsibility are articulating principles of the CDN activity, shared closely with COAM. These values ​​should be visualized in the proposals presented, as well as in the choice of materials to be used and the development processes of the projects.
The selection body will be made up of representatives of the National Institute of Performing Arts (INAEM), CDN, COAM, AAPEE and the architects of the Valle-Inclán Theater. All of them will choose three finalists who will have to elaborate a more detailed project of the installation. Finally, the winning proposal will be one that, in addition to complying with quality standards, solves the construction process in a simple, economic, safe and fast way.
People who want to participate should send their proposal to email summons.cdn@inaem.cultura.gob.es. The registration period will remain open from June 25 to July 19, 2020 at 8:00 p.m.
Detailed information on each of the selected materials and the list of supplier manufacturers are found in Annex I to the participation rules.
With this call, the CDN and COAM initiate a collaboration that aspires to have continuity over time by organizing joint activities.
THE RULES OF PARTICIPATION CAN BE CONSULTED HERE



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The National Dramatic Center returns to the stage with the trilogy "LA PIRA", a cathartic streaming on the experience of confinement


With the bonfires of San Juan the purifying fire that will give way to new desires arrives at the María Guerrero and Valle-Inclán theaters.

This trilogy is composed by The shock, The distance and Uncertainty, three pieces written, each one by three names proper to our contemporary dramaturgy, based on their views on the pandemic.

After resuming its activity with the celebration of Music Day together with the other production units of the National Institute of Performing Arts and Music (INAEM), the National Dramatic Center (CDN) returns to the stage to continue telling stories to its audience and remind them that the theater is more alive than ever, highlighting the talent of the performing profession in our country.

Each chapter of this trilogy will have a different direction and artistic team. In turn, the format of streaming defends the importance of live theater, giving continuity to the virtual platform The CDN Window, that started at the beginning of the confinement.

The shock

The first production, with text by Eva Mir, Alfredo Sanzol and Victoria Szpunberg, and under the direction of Alfredo Sanzol, is a reflection on the unexpected of the situation in which we have been immersed as a result of the spread of the COVID-19 virus. It will be broadcast live on Friday, June 26 at 8:00 p.m. from the María Guerrero Theater.

Distance

The second of the functions, written by Andrea Jiménez and Noemi Rodríguez, Juan Mayorga and Pau Miró, and under the direction of Andrea Jiménez and Noemi Rodríguez, deals with separation, literally and figuratively, recommended to avoid contagion, and the consequences of this on our day to day. It will be broadcast live on Friday, July 3 at 8:00 p.m. from the Valle-Inclán Theater

Uncertainty

The third and last of the montages, with text by Lucía Carballal, Denise Despeyroux and Pablo Remón, and under the direction of the latter, will be about the uncertain future in which the pandemic has left us, and will seek to develop a line of thought about the unknown behavior of this virus, which translates into the unpredictable dynamics of the moment we are going through. It will be broadcast live on Friday, July 10 at 8:00 p.m. from the María Guerrero Theater.

The works will be scheduled for a week. They can be seen in streaming during his live performance on stage on our official Facebook and YouTube accounts as well as on the web The CDN Window. Also, the recordings resulting from streamings will be available at The CDN Window and social networks until July 16.

Artistic chips

The shock

Authors: Eva Mir, Alfredo Sanzol and Victoria Szpunberg.

Direction: Alfredo Sanzol.

Cast: Javier Hernández, Natalia Hernández, Jesús Noguero, Fernanda Orazi and Camila Viyuela.

Scenography and Costumes: Alejandro Andújar.

Lighting: Pedro Yagüe.

Video scene: Álvaro Luna.

Music: Fernando Velázquez.

Characterization: Chema Noci.

Distance

Authors: Andrea Jiménez and Noemi Rodríguez, Juan Mayorga and Pau Miró.

Direction: Andrea Jiménez and Noemi Rodríguez.

Cast: Jesús Barranco, Julia de Castro, Juan Paños, Alicia Rodríguez, Noemi Rodríguez and Macarena Sanz.

Scenography: Monica Boromello.

Lighting: Miguel Ruz Velasco.

Wardrobe: Guadalupe Valero.

Choreography: Amaya Galeote.

Uncertainty

Authors: Lucía Carballal, Denise Despeyroux and Pablo Remón.

Direction: Pablo Remón.

Cast: Ernesto Arias, Javier Ballesteros, Francesco Carril and Cecilia Freire.

Scenography: Alessio Meloni.

Lighting: David Picazo.

Wardrobe: Ana López Cobos.



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Mastodon returns to the stage to celebrate the European Music Day with INAEM


His show The Transfiguration of the Mastodon It will be the end of the celebration of the National Dramatic Center of streaming programming and without public that Inaem has prepared for Saturday, June 20.

The band of Asier Etxeandia and Enrico Barbaro will be up on stage again next saturday june 20 to celebrate the European Music Day.

His show The Transfiguration of the Mastodon It will be the end of the party for streaming programming without an audience prepared by the National Institute of Performing Arts and Music (INAEM). His concert from the Valle-Inclán Theater of the National Dramatic Center can be enjoyed live at the Music Day website, putting the finishing touch to more than 10 hours of broadcasting with performances of different styles and genres to celebrate culture live.

Mastodon's concert is a sensory experience that combines electronics, baroque, funk and rock, all wrapped up by the staging, which mixes theater, music and dance, and costumes.

The live performance earned them the 2019 Best Show / Musical award, chosen by the Madrid Es Teatro audience, and whose spirit is captured in the video clip of Anatomy of an exodus, nominated for Best Long Form Music Video at the last edition of the Latin Grammy Awards.

Basic data:

Than? The Transfiguration of the Mastodon.

When? Saturday, June 20, at 10:00 p.m.

Where? On the account of YouTube of the National Dramatic Center and in the Music Day website of the Ministry of Culture and Sports.



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INAEM publishes a Guide of good practices for returning to the stage


Today the National Institute of Performing Arts and Music (INAEM) of the Ministry of Culture and Sports has released a Good practice guide for the restart of stage and musical activity in Spain, which responds to the demand of the sector to have in a single document a series of measures and recommendations at the state level to initiate artistic activities in the closed spaces of theaters, auditoriums and lyrical venues, as well as street shows.

This initiative aims to provide companies, institutions and professionals in the performing arts and music sector a useful guide to prevention and protection measures, as well as recommendations to be able to work in productions and concerts, complying with current occupational health and safety regulations, as well as with the health regulations established for the new normal.

Driven by INAEM, in the preparation of this Guide they have participated the main associations of companies and professionals of the theater, dance, circus and music at the state level: State Association of Private Live Music Rooms (ACCES), Spanish Association of Symphony Orchestras (AEOS), Federation of Professional Circus Associations of Spain (CIRCORED), Spanish Music Federation (ES-MUSIC), State Federation of Associations of Theater and Dance Companies (FAETEDA), State Federation of Dance Companies and Companies (FECED), Spanish Association of Classical Music Festivals (FESTCLÁSICA), Association of Theaters, Festivals and Stable Seasons of Opera in Spain (ÓPERA XXI ), Associated Street Arts (PATEA), Network of Alternative Theaters, Spanish Network of Theaters, Auditoriums, Circuits and Festivals of public ownership, Union of Professionals and Friends of Circus Arts (UPAAC). The trade union associations Confederation of Artists of the Show (CONARTE) and the Union of Actors and Actresses have also participated.

The Good Practice Guide contains recommendations and is about a living document, undergoing a constant review process, which will incorporate information as health circumstances evolve.

In the preparation of this Guide, the indications of the Ministry of Health and Labor.

In addition to collecting a series of measures of social, hygienic-sanitary or training and information distancing, this guide provides some specific recommendations adapted to each type of performing arts show (theater, dance, circus and street) and music (symphonic and symphonic-choral concerts and lyrical shows). It also includes a series of contractual recommendations for the exhibition of shows in scenic spaces, such as the inclusion of annexes to contracts with the protocols applied by each of the parties or the proper coordination between the different companies that participate in the production of a show.

You can access the guide in pdf at this link.



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Information note on resumption of administrative deadlines and presentation of documentation in public records


The agency announces the cancellation of the functions and concerts scheduled in all its scenic venues that were pending from the 19/20 season

Given the impossibility of complying with the health requirements in the originally planned artistic formats, the INAEM announced this Wednesday the cancellation of the functions and concerts scheduled in all its scenic venues that were pending in the 19/20 season. This measure affects shows scheduled until next July in the National Music Auditorium (OCNE, CNDM, JONDE), the Zarzuela Theater (including performances by the National Ballet of Spain), the María Guerrero and Valle-Inclán theaters of the National Dramatic Center and the Comedy Theater of the National Classical Theater Company.

The return of the tickets between now and the end of the season has already started and will be carried out gradually. The amounts of the localities acquired through our portal income-sinaem.es or the sales phones 902 22 49 49 and 985 67 96 68 will be returned to the purchase card automatically and progressively Throughout the month of June, without waiting for the day after the date of the show as it had been done until now for purchases made online.

On the other hand, to avoid traveling to our scenic venues, the agency has designed a telematic return device for tickets purchased at our ticket offices. Tickets paid by card and transfer will be progressively reimbursed from June to July. Those purchased at cash box offices may be digitally claimed through a form that will be available on the website forinesinaem.es from June 21. Also, it will be enabled a post office box To which a copy of the tickets can be sent together with the account number (bank IBAN) and the name of the owner of the same. However, the ticket offices will also open from July 15 of our scenic spaces for those who prefer to make these returns in person.

The maximum term to request the refund of the tickets will be next November 30, 2020.

Check the infographic about the return system at this link.

You can read this text in the INAEM website



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Information note on resumption of administrative deadlines and presentation of documentation in public records


It is reported that, last Saturday, May 23, it was published in the B.O.E. Royal Decree 537/2020, of May 22, extending the state of alarm declared by Royal Decree 463/2020, of March 14, declaring the state of alarm for the management of the situation of health crisis caused by COVID-19. Article 9 of said Royal Decree, regarding administrative deadlines suspended pursuant to Royal Decree 463/2020, of March 14, provides that “With effect from June 1, 2020, the computation of administrative deadlines that would have If they have been suspended, they will be resumed, or restarted, if this has been provided for in a norm with the rank of law approved during the validity of the state of alarm and its extensions.

Consequently, on June 1, 2020, the computation of the administrative deadlines suspended by the declaration of the state of alarm will resume, which is communicated for the appropriate purposes.

Specifically, at INAEM, the following processes stand out:

Selective processes for the selection of temporary labor personnel: it is communicated that the period for presenting claims to the provisional assessment of merits of the following resumes:
– Selective process nº 281 (bag of management and hairdressing), allegations may be presented from June 1 to 3, 2020, both included.
– Selective process nº 282 (Magalia stock exchange), allegations may be presented from June 1 to 4, 2020, both included.

Selective processes for the entry of permanent labor personnel: the convening body of the same has proceeded to resume the calculation of the deadlines set for the submission of the required documentation and for the subsequent allocation of places in these selection processes. Information regarding this resumption has been published on the website of the Ministry of Culture and Sports, with a start date of May 25, 2020 (see complete information HERE)

Regarding the presentation of documentation through the Public Registers, it will be done under the terms of article 5 (representation) and 16 (registers) of Law 39/2015, of October 1, of the Common Administrative Procedure of Public Administrations. . sgp@inaem.cultura.gob.es

PRESENTATION PRESENTIAL

In the case of the face-to-face presentation in Registries and assistance offices in the matter of Registries of the AGE, Autonomous Communities, City Council or Institutional Administration, confirm if it is open and if the management of a previous appointment is necessary.

You can also submit documentation for registration at the Post Offices. The Registry of the Ministry of Culture and Sports and the INAEM Registry do not attend in person at this time.

TELEMATIC PRESENTATION

Regarding the electronic management of the documentation registry, you can do it through the electronic headquarters of the Ministry of Culture and Sports https://cultura.sede.gob.es/, being necessary to have an electronic ID or electronic certificate) in the following sections, depending on the matter in question:

– "Other requests, writings or communications addressed to the National Institute of Performing Arts and Music"
– "Selective process for the coverage of temporary labor personnel positions in the INAEM"

You can also do it through the Electronic Registry of the AGE, being necessary to have an electronic ID or electronic certificate.

https://administracion.gob.es/pag_Home/atencionCiudadana/encuentraTuOficina/REC.html#.Xs0B6kBuKoA

In Madrid on May 26, 2020,
THE GENERAL DEPUTY DIRECTORATE OF INAEM PERSONNEL



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